Triple

T20664495
Position Surface form Disambiguated ID Type / Status
Subject War (Avatar track) E507848 entity
Predicate recordedFor P19351 FINISHED
Object Avatar: Original Motion Picture Score NE NERFINISHED

How this triple was built (2 steps)

Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.

NER Named-entity recognition gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Avatar: Original Motion Picture Score | Statement: [War (Avatar track), recordedFor, Avatar: Original Motion Picture Score]
NED1 Entity disambiguation (via context triple) gpt-5-mini-2025-08-07
Target entity: Avatar: Original Motion Picture Score
Context triple: [War (Avatar track), recordedFor, Avatar: Original Motion Picture Score]
  • A. Avatar (film score) chosen
    Avatar (film score) is James Horner’s expansive orchestral and choral soundtrack for the 2009 science fiction film "Avatar," blending traditional symphonic elements with ethnic and electronic textures to evoke the alien world of Pandora.
  • B. Blade Runner 2049 score
    The Blade Runner 2049 score is the atmospheric, synth-driven film soundtrack co-composed by Benjamin Wallfisch and Hans Zimmer for Denis Villeneuve’s 2017 science fiction sequel, noted for its immersive, futuristic soundscapes that echo and expand on Vangelis’s original Blade Runner music.
  • C. "Elysium" original motion picture soundtrack
    "Elysium" original motion picture soundtrack is a cinematic score composed by Ryan Amon for Neill Blomkamp’s 2013 science fiction film, blending orchestral and electronic elements to underscore its dystopian themes.
  • D. Arrival (film score)
    Arrival (film score) is Jóhann Jóhannsson’s atmospheric, experimental soundtrack for the 2016 science-fiction film "Arrival," noted for its minimalist textures, vocal manipulations, and evocative sense of alien otherness.
  • E. Guardians of the Galaxy (film score)
    Guardians of the Galaxy (film score) is the orchestral soundtrack composed by Tyler Bates for the 2014 Marvel superhero film, blending classic cinematic themes with the movie’s retro space-adventure tone.
  • F. None of above.
  • G. Unsure - the case is ambiguous/there is not enough information to decide.

Provenance (2 batches)

The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.

Step Stage Batch ID Status When
creating Elicitation batch_69e0b4c059bc81908ea762cd73ea4424 completed April 16, 2026, 10:06 a.m.
NER Named-entity recognition batch_69e6b2f541bc8190ac7946b91647f2b0 completed April 20, 2026, 11:12 p.m.
Created at: April 16, 2026, 11:44 a.m.