Triple
T20588987
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Abraham Janssens |
E505862
|
entity |
| Predicate | notableWork |
P4
|
FINISHED |
| Object | The Raising of the Cross (version by Janssens) |
—
|
NE NERFINISHED |
How this triple was built (3 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: The Raising of the Cross (version by Janssens) | Statement: [Abraham Janssens, notableWork, The Raising of the Cross (version by Janssens)]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: The Raising of the Cross (version by Janssens) Context triple: [Abraham Janssens, notableWork, The Raising of the Cross (version by Janssens)]
-
A.
The Elevation of the Cross
The Elevation of the Cross is a monumental Baroque altarpiece by Peter Paul Rubens, renowned for its dramatic composition, dynamic figures, and intense emotional and spiritual impact.
-
B.
The Crucifixion (Panorama of the Crucifixion)
The Crucifixion (Panorama of the Crucifixion) is a monumental late-19th-century panoramic painting by Polish artist Jan Styka depicting the crucifixion of Jesus Christ in dramatic, large-scale detail.
-
C.
Crucifixion (Antwerp)
Crucifixion (Antwerp) is a 15th-century painting by Italian Renaissance master Antonello da Messina depicting the crucified Christ with a characteristically precise, geometric composition and detailed landscape.
-
D.
Descent from the Cross
Descent from the Cross is a renowned Mannerist painting by Daniele da Volterra depicting the removal of Christ’s body from the cross with dramatic composition and emotional intensity.
-
E.
The Entry of Christ into Brussels in 1889
The Entry of Christ into Brussels in 1889 is a monumental and satirical painting by James Ensor that depicts a chaotic, carnival-like modern city crowd oblivious to Christ’s arrival, and is considered a key work of early modernist art.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: The Raising of the Cross (version by Janssens) Target entity description: The Raising of the Cross (version by Janssens) is a Baroque religious painting by Flemish artist Abraham Janssens depicting the dramatic moment of Christ’s crucifixion.
-
A.
The Elevation of the Cross
The Elevation of the Cross is a monumental Baroque altarpiece by Peter Paul Rubens, renowned for its dramatic composition, dynamic figures, and intense emotional and spiritual impact.
-
B.
The Crucifixion (Panorama of the Crucifixion)
The Crucifixion (Panorama of the Crucifixion) is a monumental late-19th-century panoramic painting by Polish artist Jan Styka depicting the crucifixion of Jesus Christ in dramatic, large-scale detail.
-
C.
Crucifixion (Antwerp)
Crucifixion (Antwerp) is a 15th-century painting by Italian Renaissance master Antonello da Messina depicting the crucified Christ with a characteristically precise, geometric composition and detailed landscape.
-
D.
Descent from the Cross
Descent from the Cross is a renowned Mannerist painting by Daniele da Volterra depicting the removal of Christ’s body from the cross with dramatic composition and emotional intensity.
-
E.
The Entry of Christ into Brussels in 1889
The Entry of Christ into Brussels in 1889 is a monumental and satirical painting by James Ensor that depicts a chaotic, carnival-like modern city crowd oblivious to Christ’s arrival, and is considered a key work of early modernist art.
- F. None of above. chosen
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69e0b4b9669c8190b8e81fc72817d42c |
completed | April 16, 2026, 10:06 a.m. |
| NER | Named-entity recognition | batch_69e6a979e4a48190a948165fb0f3b265 |
completed | April 20, 2026, 10:32 p.m. |
Created at: April 16, 2026, 11:40 a.m.