Triple
T20478826
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Titania |
E502396
|
entity |
| Predicate | appearsInAct |
P795
|
FINISHED |
| Object | Act IV of A Midsummer Night's Dream |
—
|
NE NERFINISHED |
How this triple was built (3 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Act IV of A Midsummer Night's Dream | Statement: [Titania, appearsInAct, Act IV of A Midsummer Night's Dream]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Act IV of A Midsummer Night's Dream Context triple: [Titania, appearsInAct, Act IV of A Midsummer Night's Dream]
-
A.
Act III of A Midsummer Night's Dream
Act III of A Midsummer Night's Dream is the pivotal middle act of Shakespeare’s comedy in which the magical misapplications of the love potion create peak confusion and comic chaos among the lovers and fairies.
-
B.
Act IV of Much Ado About Nothing
Act IV of Much Ado About Nothing is the pivotal act in Shakespeare’s comedy where Don John’s deceit culminates in the disastrous wedding scene, leading to Hero’s public shaming and the play’s darkest emotional turn.
-
C.
A Midsummer Night's Dream
A Midsummer Night's Dream is a comedic play by William Shakespeare that intertwines romance, magic, and mistaken identities in an enchanted Athenian forest.
-
D.
Act III of Much Ado About Nothing
Act III of Much Ado About Nothing is a pivotal section of Shakespeare’s comedy in which deception intensifies, romantic misunderstandings deepen, and Don John’s villainous plot against Claudio and Hero moves toward its crisis.
-
E.
Act IV of The Taming of the Shrew
Act IV of *The Taming of the Shrew* is the pivotal section of Shakespeare’s comedy in which Petruchio begins his extreme “taming” of Katherina while the subplot of Bianca’s suitors advances toward its resolution.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Act IV of A Midsummer Night's Dream Target entity description: Act IV of A Midsummer Night's Dream is the penultimate act of Shakespeare's comedy in which the enchanted lovers and fairy royalty move toward reconciliation and the play’s central confusions begin to be resolved.
-
A.
Act III of A Midsummer Night's Dream
Act III of A Midsummer Night's Dream is the pivotal middle act of Shakespeare’s comedy in which the magical misapplications of the love potion create peak confusion and comic chaos among the lovers and fairies.
-
B.
Act IV of Much Ado About Nothing
Act IV of Much Ado About Nothing is the pivotal act in Shakespeare’s comedy where Don John’s deceit culminates in the disastrous wedding scene, leading to Hero’s public shaming and the play’s darkest emotional turn.
-
C.
A Midsummer Night's Dream
A Midsummer Night's Dream is a comedic play by William Shakespeare that intertwines romance, magic, and mistaken identities in an enchanted Athenian forest.
-
D.
Act III of Much Ado About Nothing
Act III of Much Ado About Nothing is a pivotal section of Shakespeare’s comedy in which deception intensifies, romantic misunderstandings deepen, and Don John’s villainous plot against Claudio and Hero moves toward its crisis.
-
E.
Act IV of The Taming of the Shrew
Act IV of *The Taming of the Shrew* is the pivotal section of Shakespeare’s comedy in which Petruchio begins his extreme “taming” of Katherina while the subplot of Bianca’s suitors advances toward its resolution.
- F. None of above. chosen
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69e0b4af32848190aea80682b44d5d6e |
completed | April 16, 2026, 10:06 a.m. |
| NER | Named-entity recognition | batch_69e69b54c8188190a71e35fab8d194a6 |
completed | April 20, 2026, 9:32 p.m. |
Created at: April 16, 2026, 11:34 a.m.