Triple
T20478824
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Titania |
E502396
|
entity |
| Predicate | appearsInAct |
P795
|
FINISHED |
| Object | Act II of A Midsummer Night's Dream |
—
|
NE NERFINISHED |
How this triple was built (2 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Act II of A Midsummer Night's Dream | Statement: [Titania, appearsInAct, Act II of A Midsummer Night's Dream]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Act II of A Midsummer Night's Dream Context triple: [Titania, appearsInAct, Act II of A Midsummer Night's Dream]
-
A.
Act II of Much Ado About Nothing
Act II of Much Ado About Nothing is the pivotal early act of Shakespeare’s comedy in which masked revelry, sharp-witted banter, and emerging schemes set the stage for both romantic misunderstandings and darker deceptions.
-
B.
A Midsummer Night's Dream
chosen
A Midsummer Night's Dream is a comedic play by William Shakespeare that intertwines romance, magic, and mistaken identities in an enchanted Athenian forest.
-
C.
Act III of Much Ado About Nothing
Act III of Much Ado About Nothing is a pivotal section of Shakespeare’s comedy in which deception intensifies, romantic misunderstandings deepen, and Don John’s villainous plot against Claudio and Hero moves toward its crisis.
-
D.
Act III of As You Like It
Act III of *As You Like It* is the pivotal middle section of Shakespeare’s pastoral comedy in which romantic entanglements deepen, disguises complicate relationships, and key comic and philosophical characters further develop the play’s themes of love and identity in the Forest of Arden.
-
E.
Act II of Twelfth Night
Act II of *Twelfth Night* is the section of Shakespeare’s comedy where the romantic confusions deepen, key disguises and deceptions take firmer hold, and the play’s blend of melancholy and festivity becomes more pronounced.
- F. None of above.
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69e0b4af32848190aea80682b44d5d6e |
completed | April 16, 2026, 10:06 a.m. |
| NER | Named-entity recognition | batch_69e69b54c8188190a71e35fab8d194a6 |
completed | April 20, 2026, 9:32 p.m. |
Created at: April 16, 2026, 11:34 a.m.