Triple
T20416350
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Costard |
E500721
|
entity |
| Predicate | appearsInAct |
P795
|
FINISHED |
| Object | Act IV of Love’s Labour’s Lost |
—
|
NE NERFINISHED |
How this triple was built (2 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Act IV of Love’s Labour’s Lost | Statement: [Costard, appearsInAct, Act IV of Love’s Labour’s Lost]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Act IV of Love’s Labour’s Lost Context triple: [Costard, appearsInAct, Act IV of Love’s Labour’s Lost]
-
A.
Act III of Love's Labour's Lost
Act III of Love's Labour's Lost is a pivotal middle act in Shakespeare's early comedy where the witty banter, romantic entanglements, and elaborate wordplay among the king's companions and the visiting ladies intensify the play's themes of love versus intellectual pretension.
-
B.
Act 4 of Love’s Labour’s Lost
chosen
Act 4 of Love’s Labour’s Lost is a pivotal middle act of Shakespeare’s comedy in which the intricate wordplay and romantic deceptions intensify as the king and his lords’ vows of study and abstinence begin to unravel.
-
C.
Act II of Love’s Labour’s Lost
Act II of Love’s Labour’s Lost is the section of Shakespeare’s comedy in which the visiting Princess of France and her ladies arrive at the King of Navarre’s court, setting the stage for the play’s witty romantic entanglements.
-
D.
Act 5 of Love’s Labour’s Lost
Act 5 of Love’s Labour’s Lost is the climactic final act of Shakespeare’s comedy in which the princess and her ladies, including Rosaline, confront the king and his lords, leading to a playful yet unexpectedly bittersweet resolution.
-
E.
Act I of Love’s Labour’s Lost
Act I of Love’s Labour’s Lost is the opening act of Shakespeare’s comedy that introduces the King of Navarre’s vow of study and abstinence and sets up the play’s intricate wordplay and romantic entanglements.
- F. None of above.
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69e0b4a935588190b9446a99b37ced44 |
completed | April 16, 2026, 10:06 a.m. |
| NER | Named-entity recognition | batch_69e67a4437448190b07b6e6e3de5830f |
completed | April 20, 2026, 7:11 p.m. |
Created at: April 16, 2026, 11:30 a.m.