Triple

T20416348
Position Surface form Disambiguated ID Type / Status
Subject Costard E500721 entity
Predicate appearsInAct P795 FINISHED
Object Act II of Love’s Labour’s Lost — NE NERFINISHED

How this triple was built (2 steps)

Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.

NER Named-entity recognition gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Act II of Love’s Labour’s Lost | Statement: [Costard, appearsInAct, Act II of Love’s Labour’s Lost]
NED1 Entity disambiguation (via context triple) gpt-5-mini-2025-08-07 
Target entity: Act II of Love’s Labour’s Lost
Context triple: [Costard, appearsInAct, Act II of Love’s Labour’s Lost]
  • A. Act II of Love’s Labour’s Lost chosen
    Act II of Love’s Labour’s Lost is the section of Shakespeare’s comedy in which the visiting Princess of France and her ladies arrive at the King of Navarre’s court, setting the stage for the play’s witty romantic entanglements.
  • B. Act III of Love's Labour's Lost
    Act III of Love's Labour's Lost is a pivotal middle act in Shakespeare's early comedy where the witty banter, romantic entanglements, and elaborate wordplay among the king's companions and the visiting ladies intensify the play's themes of love versus intellectual pretension.
  • C. Act I of Love’s Labour’s Lost
    Act I of Love’s Labour’s Lost is the opening act of Shakespeare’s comedy that introduces the King of Navarre’s vow of study and abstinence and sets up the play’s intricate wordplay and romantic entanglements.
  • D. Act 4 of Love’s Labour’s Lost
    Act 4 of Love’s Labour’s Lost is a pivotal middle act of Shakespeare’s comedy in which the intricate wordplay and romantic deceptions intensify as the king and his lords’ vows of study and abstinence begin to unravel.
  • E. Act 5 of Love’s Labour’s Lost
    Act 5 of Love’s Labour’s Lost is the climactic final act of Shakespeare’s comedy in which the princess and her ladies, including Rosaline, confront the king and his lords, leading to a playful yet unexpectedly bittersweet resolution.
  • F. None of above.
  • G. Unsure - the case is ambiguous/there is not enough information to decide.

Provenance (2 batches)

The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.

Step Stage Batch ID Status When
creating Elicitation batch_69e0b4a935588190b9446a99b37ced44 completed April 16, 2026, 10:06 a.m.
NER Named-entity recognition batch_69e67a4437448190b07b6e6e3de5830f completed April 20, 2026, 7:11 p.m.
Created at: April 16, 2026, 11:30 a.m.