Triple
T20416138
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Dumaine |
E500716
|
entity |
| Predicate | appearsInAct |
P795
|
FINISHED |
| Object | Act II of Love's Labour's Lost |
—
|
NE NERFINISHED |
How this triple was built (2 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Act II of Love's Labour's Lost | Statement: [Dumaine, appearsInAct, Act II of Love's Labour's Lost]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Act II of Love's Labour's Lost Context triple: [Dumaine, appearsInAct, Act II of Love's Labour's Lost]
-
A.
Act III of Love's Labour's Lost
Act III of Love's Labour's Lost is a pivotal middle act in Shakespeare's early comedy where the witty banter, romantic entanglements, and elaborate wordplay among the king's companions and the visiting ladies intensify the play's themes of love versus intellectual pretension.
-
B.
Love's Labour's Lost
chosen
Love's Labour's Lost is a comedic play by William Shakespeare that satirizes courtly love and intellectual pretension through witty wordplay and romantic misadventures.
-
C.
Act III of As You Like It
Act III of *As You Like It* is the pivotal middle section of Shakespeare’s pastoral comedy in which romantic entanglements deepen, disguises complicate relationships, and key comic and philosophical characters further develop the play’s themes of love and identity in the Forest of Arden.
-
D.
Act II of The Taming of the Shrew
Act II of *The Taming of the Shrew* is a pivotal early act in Shakespeare’s comedy that escalates the central conflicts through sharp verbal sparring, evolving courtship schemes, and the deepening of the play’s themes of gender roles and social performance.
-
E.
Act III of Much Ado About Nothing
Act III of Much Ado About Nothing is a pivotal section of Shakespeare’s comedy in which deception intensifies, romantic misunderstandings deepen, and Don John’s villainous plot against Claudio and Hero moves toward its crisis.
- F. None of above.
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69e0b4a935588190b9446a99b37ced44 |
completed | April 16, 2026, 10:06 a.m. |
| NER | Named-entity recognition | batch_69e67a4437448190b07b6e6e3de5830f |
completed | April 20, 2026, 7:11 p.m. |
Created at: April 16, 2026, 11:30 a.m.