Triple

T20416025
Position Surface form Disambiguated ID Type / Status
Subject Princess of France E500713 entity
Predicate appearsInAct P795 FINISHED
Object Act II of Love's Labour's Lost — NE NERFINISHED

How this triple was built (2 steps)

Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.

NER Named-entity recognition gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Act II of Love's Labour's Lost | Statement: [Princess of France, appearsInAct, Act II of Love's Labour's Lost]
NED1 Entity disambiguation (via context triple) gpt-5-mini-2025-08-07 
Target entity: Act II of Love's Labour's Lost
Context triple: [Princess of France, appearsInAct, Act II of Love's Labour's Lost]
  • A. Love's Labour's Lost chosen
    Love's Labour's Lost is a comedic play by William Shakespeare that satirizes courtly love and intellectual pretension through witty wordplay and romantic misadventures.
  • B. Act III of As You Like It
    Act III of *As You Like It* is the pivotal middle section of Shakespeare’s pastoral comedy in which romantic entanglements deepen, disguises complicate relationships, and key comic and philosophical characters further develop the play’s themes of love and identity in the Forest of Arden.
  • C. Act III of Much Ado About Nothing
    Act III of Much Ado About Nothing is a pivotal section of Shakespeare’s comedy in which deception intensifies, romantic misunderstandings deepen, and Don John’s villainous plot against Claudio and Hero moves toward its crisis.
  • D. Act II of Much Ado About Nothing
    Act II of Much Ado About Nothing is the pivotal early act of Shakespeare’s comedy in which masked revelry, sharp-witted banter, and emerging schemes set the stage for both romantic misunderstandings and darker deceptions.
  • E. Act II of Twelfth Night
    Act II of *Twelfth Night* is the section of Shakespeare’s comedy where the romantic confusions deepen, key disguises and deceptions take firmer hold, and the play’s blend of melancholy and festivity becomes more pronounced.
  • F. None of above.
  • G. Unsure - the case is ambiguous/there is not enough information to decide.

Provenance (2 batches)

The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.

Step Stage Batch ID Status When
creating Elicitation batch_69e0b4a935588190b9446a99b37ced44 completed April 16, 2026, 10:06 a.m.
NER Named-entity recognition batch_69e67a4437448190b07b6e6e3de5830f completed April 20, 2026, 7:11 p.m.
Created at: April 16, 2026, 11:30 a.m.