Triple
T20360234
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Sir Andrew Aguecheek |
E496754
|
entity |
| Predicate | firstAppearance |
P795
|
FINISHED |
| Object | Twelfth Night, Act 1 |
—
|
NE NERFINISHED |
How this triple was built (2 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Twelfth Night, Act 1 | Statement: [Sir Andrew Aguecheek, firstAppearance, Twelfth Night, Act 1]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Twelfth Night, Act 1 Context triple: [Sir Andrew Aguecheek, firstAppearance, Twelfth Night, Act 1]
-
A.
Act II of Twelfth Night
Act II of *Twelfth Night* is the section of Shakespeare’s comedy where the romantic confusions deepen, key disguises and deceptions take firmer hold, and the play’s blend of melancholy and festivity becomes more pronounced.
-
B.
Twelfth Night
chosen
Twelfth Night is a comedic play by William Shakespeare that centers on mistaken identities, romantic entanglements, and themes of gender and disguise.
-
C.
Act IV of Much Ado About Nothing
Act IV of Much Ado About Nothing is the pivotal act in Shakespeare’s comedy where Don John’s deceit culminates in the disastrous wedding scene, leading to Hero’s public shaming and the play’s darkest emotional turn.
-
D.
Act II of Much Ado About Nothing
Act II of Much Ado About Nothing is the pivotal early act of Shakespeare’s comedy in which masked revelry, sharp-witted banter, and emerging schemes set the stage for both romantic misunderstandings and darker deceptions.
-
E.
Act III of Much Ado About Nothing
Act III of Much Ado About Nothing is a pivotal section of Shakespeare’s comedy in which deception intensifies, romantic misunderstandings deepen, and Don John’s villainous plot against Claudio and Hero moves toward its crisis.
- F. None of above.
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69e0b4a3f7f48190b37f354574028ca6 |
completed | April 16, 2026, 10:06 a.m. |
| NER | Named-entity recognition | batch_69e678584294819093788ccf2fb8e588 |
completed | April 20, 2026, 7:02 p.m. |
Created at: April 16, 2026, 11:25 a.m.