Triple

T20359830
Position Surface form Disambiguated ID Type / Status
Subject Antonin Artaud E496747 entity
Predicate concept P201 FINISHED
Object Theatre of Cruelty NE NERFINISHED

How this triple was built (2 steps)

Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.

NER Named-entity recognition gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Theatre of Cruelty | Statement: [Antonin Artaud, concept, Theatre of Cruelty]
NED1 Entity disambiguation (via context triple) gpt-5-mini-2025-08-07
Target entity: Theatre of Cruelty
Context triple: [Antonin Artaud, concept, Theatre of Cruelty]
  • A. Theatre of Cruelty chosen
    Theatre of Cruelty is an experimental theatrical movement and theory developed by Antonin Artaud that seeks to shock audiences into confronting deeper psychological and social truths through intense, sensory, and often disturbing performances.
  • B. Symbolist theatre
    Symbolist theatre is a late 19th-century dramatic movement that emphasized mood, suggestion, and metaphor over realistic representation, often using dreamlike staging and poetic language to explore inner realities and spiritual themes.
  • C. Theatre of the Absurd
    Theatre of the Absurd is a post–World War II dramatic movement characterized by illogical situations, fragmented dialogue, and existential themes that highlight the absurdity and meaninglessness of human existence.
  • D. epic theatre
    Epic theatre is a 20th-century theatrical movement, closely associated with Bertolt Brecht, that uses techniques like direct address, visible stage mechanics, and narrative interruption to provoke critical reflection rather than emotional immersion.
  • E. Theatre of the Oppressed
    Theatre of the Oppressed is an interactive theatrical methodology developed by Augusto Boal that uses performance as a tool for social and political empowerment, dialogue, and change.
  • F. None of above.
  • G. Unsure - the case is ambiguous/there is not enough information to decide.

Provenance (2 batches)

The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.

Step Stage Batch ID Status When
creating Elicitation batch_69e0b4a3f7f48190b37f354574028ca6 completed April 16, 2026, 10:06 a.m.
NER Named-entity recognition batch_69e678584294819093788ccf2fb8e588 completed April 20, 2026, 7:02 p.m.
Created at: April 16, 2026, 11:25 a.m.