Triple

T20342773
Position Surface form Disambiguated ID Type / Status
Subject Kūṭiyāṭṭam E495781 entity
Predicate performedWith P9966 FINISHED
Object Nangyar (women performers) NE NERFINISHED

How this triple was built (3 steps)

Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.

NER Named-entity recognition gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Nangyar (women performers) | Statement: [Kūṭiyāṭṭam, performedWith, Nangyar (women performers)]
NED1 Entity disambiguation (via context triple) gpt-5-mini-2025-08-07
Target entity: Nangyar (women performers)
Context triple: [Kūṭiyāṭṭam, performedWith, Nangyar (women performers)]
  • A. Lavani dancers
    Lavani dancers are traditional Maharashtrian performers known for their expressive, high-energy folk dance set to rhythmic music and often associated with themes of love, valor, and social commentary.
  • B. Ngalop women
    Ngalop women are Bhutanese women from the dominant Ngalop ethnic group, traditionally recognized for wearing the kira, a distinctive ankle-length woven dress that is central to Bhutan’s national attire.
  • C. Nautch Dance
    Nautch Dance is a traditional form of Indian court and social entertainment dance historically performed by professional female dancers for royal and elite audiences.
  • D. Mahari (temple dancer)
    Mahari (temple dancer) refers to the hereditary female temple dancers of Odisha who performed sacred devotional dances in honor of the deity Jagannath and are considered a historical precursor to the classical Odissi dance tradition.
  • E. Akan dancers
    Akan dancers are traditional performers from the Akan ethnic groups of Ghana and Côte d’Ivoire, known for their expressive movements, elaborate costumes, and central role in cultural ceremonies and festivals.
  • F. None of above. chosen
  • G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2 Entity disambiguation (via description) gpt-5-mini-2025-08-07
Target entity: Nangyar (women performers)
Target entity description: Nangyar are traditional female performers from Kerala, India, renowned for their highly stylized acting, expressive hand gestures, and facial expressions in classical Sanskrit theatre.
  • A. Lavani dancers
    Lavani dancers are traditional Maharashtrian performers known for their expressive, high-energy folk dance set to rhythmic music and often associated with themes of love, valor, and social commentary.
  • B. Ngalop women
    Ngalop women are Bhutanese women from the dominant Ngalop ethnic group, traditionally recognized for wearing the kira, a distinctive ankle-length woven dress that is central to Bhutan’s national attire.
  • C. Nautch Dance chosen
    Nautch Dance is a traditional form of Indian court and social entertainment dance historically performed by professional female dancers for royal and elite audiences.
  • D. Mahari (temple dancer)
    Mahari (temple dancer) refers to the hereditary female temple dancers of Odisha who performed sacred devotional dances in honor of the deity Jagannath and are considered a historical precursor to the classical Odissi dance tradition.
  • E. Akan dancers
    Akan dancers are traditional performers from the Akan ethnic groups of Ghana and Côte d’Ivoire, known for their expressive movements, elaborate costumes, and central role in cultural ceremonies and festivals.
  • F. None of above.

Provenance (2 batches)

The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.

Step Stage Batch ID Status When
creating Elicitation batch_69e0b4a3320881909495ae8bc30bc2dc completed April 16, 2026, 10:06 a.m.
NER Named-entity recognition batch_69e67836b72081908be65115abdb37bf completed April 20, 2026, 7:02 p.m.
Created at: April 16, 2026, 11:24 a.m.