Triple
T20342773
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Kūṭiyāṭṭam |
E495781
|
entity |
| Predicate | performedWith |
P9966
|
FINISHED |
| Object | Nangyar (women performers) |
—
|
NE NERFINISHED |
How this triple was built (3 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Nangyar (women performers) | Statement: [Kūṭiyāṭṭam, performedWith, Nangyar (women performers)]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Nangyar (women performers) Context triple: [Kūṭiyāṭṭam, performedWith, Nangyar (women performers)]
-
A.
Lavani dancers
Lavani dancers are traditional Maharashtrian performers known for their expressive, high-energy folk dance set to rhythmic music and often associated with themes of love, valor, and social commentary.
-
B.
Ngalop women
Ngalop women are Bhutanese women from the dominant Ngalop ethnic group, traditionally recognized for wearing the kira, a distinctive ankle-length woven dress that is central to Bhutan’s national attire.
-
C.
Nautch Dance
Nautch Dance is a traditional form of Indian court and social entertainment dance historically performed by professional female dancers for royal and elite audiences.
-
D.
Mahari (temple dancer)
Mahari (temple dancer) refers to the hereditary female temple dancers of Odisha who performed sacred devotional dances in honor of the deity Jagannath and are considered a historical precursor to the classical Odissi dance tradition.
-
E.
Akan dancers
Akan dancers are traditional performers from the Akan ethnic groups of Ghana and Côte d’Ivoire, known for their expressive movements, elaborate costumes, and central role in cultural ceremonies and festivals.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Nangyar (women performers) Target entity description: Nangyar are traditional female performers from Kerala, India, renowned for their highly stylized acting, expressive hand gestures, and facial expressions in classical Sanskrit theatre.
-
A.
Lavani dancers
Lavani dancers are traditional Maharashtrian performers known for their expressive, high-energy folk dance set to rhythmic music and often associated with themes of love, valor, and social commentary.
-
B.
Ngalop women
Ngalop women are Bhutanese women from the dominant Ngalop ethnic group, traditionally recognized for wearing the kira, a distinctive ankle-length woven dress that is central to Bhutan’s national attire.
-
C.
Nautch Dance
chosen
Nautch Dance is a traditional form of Indian court and social entertainment dance historically performed by professional female dancers for royal and elite audiences.
-
D.
Mahari (temple dancer)
Mahari (temple dancer) refers to the hereditary female temple dancers of Odisha who performed sacred devotional dances in honor of the deity Jagannath and are considered a historical precursor to the classical Odissi dance tradition.
-
E.
Akan dancers
Akan dancers are traditional performers from the Akan ethnic groups of Ghana and Côte d’Ivoire, known for their expressive movements, elaborate costumes, and central role in cultural ceremonies and festivals.
- F. None of above.
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69e0b4a3320881909495ae8bc30bc2dc |
completed | April 16, 2026, 10:06 a.m. |
| NER | Named-entity recognition | batch_69e67836b72081908be65115abdb37bf |
completed | April 20, 2026, 7:02 p.m. |
Created at: April 16, 2026, 11:24 a.m.