Triple

T20126021
Position Surface form Disambiguated ID Type / Status
Subject Oneida E490757 entity
Predicate hasMember P10 FINISHED
Object Each One Teach One (collective alias used in credits on some releases) NE NERFINISHED

How this triple was built (3 steps)

Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.

NER Named-entity recognition gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Each One Teach One (collective alias used in credits on some releases) | Statement: [Oneida, hasMember, Each One Teach One (collective alias used in credits on some releases)]
NED1 Entity disambiguation (via context triple) gpt-5-mini-2025-08-07
Target entity: Each One Teach One (collective alias used in credits on some releases)
Context triple: [Oneida, hasMember, Each One Teach One (collective alias used in credits on some releases)]
  • A. One to One (album)
    One to One is a 1977 soul and R&B album by American singer-songwriter Syreeta Wright, showcasing her smooth vocals and collaborations with Stevie Wonder.
  • B. Some/One
    Some/One is a large-scale stainless-steel sculpture by Do Ho Suh composed of thousands of military dog tags forming a monumental, empty suit of armor that explores themes of individuality and collective identity.
  • C. Native Tongues collective
    Native Tongues collective was a late-1980s and early-1990s New York–based hip hop collective known for its Afrocentric, socially conscious lyrics and innovative, jazz-influenced sound, featuring groups like A Tribe Called Quest, De La Soul, and Jungle Brothers.
  • D. One Africa, One Voice
    One Africa, One Voice is the unifying slogan of the Pan-African Parliament, expressing its vision of a single, collective African voice in continental governance and decision-making.
  • E. Out of Many, One Music
    Out of Many, One Music is a reggae and dancehall album by Jamaican-American artist Shaggy that blends contemporary production with classic Caribbean influences.
  • F. None of above. chosen
  • G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2 Entity disambiguation (via description) gpt-5-mini-2025-08-07
Target entity: Each One Teach One (collective alias used in credits on some releases)
Target entity description: Each One Teach One is a collective alias used by members of the experimental rock band Oneida for group credits on certain releases.
  • A. One to One (album)
    One to One is a 1977 soul and R&B album by American singer-songwriter Syreeta Wright, showcasing her smooth vocals and collaborations with Stevie Wonder.
  • B. Some/One
    Some/One is a large-scale stainless-steel sculpture by Do Ho Suh composed of thousands of military dog tags forming a monumental, empty suit of armor that explores themes of individuality and collective identity.
  • C. Native Tongues collective
    Native Tongues collective was a late-1980s and early-1990s New York–based hip hop collective known for its Afrocentric, socially conscious lyrics and innovative, jazz-influenced sound, featuring groups like A Tribe Called Quest, De La Soul, and Jungle Brothers.
  • D. One Africa, One Voice
    One Africa, One Voice is the unifying slogan of the Pan-African Parliament, expressing its vision of a single, collective African voice in continental governance and decision-making.
  • E. Out of Many, One Music
    Out of Many, One Music is a reggae and dancehall album by Jamaican-American artist Shaggy that blends contemporary production with classic Caribbean influences.
  • F. None of above. chosen

Provenance (2 batches)

The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.

Step Stage Batch ID Status When
creating Elicitation batch_69da62651a0c8190a3e05e95e056a66b completed April 11, 2026, 3:01 p.m.
NER Named-entity recognition batch_69e6674223008190827c454fe7ac86f4 completed April 20, 2026, 5:49 p.m.
Created at: April 11, 2026, 11:31 p.m.