Triple
T20012514
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Bassanio |
E494622
|
entity |
| Predicate | appearsInAct |
P795
|
FINISHED |
| Object | Act 4 of The Merchant of Venice |
—
|
NE NERFINISHED |
How this triple was built (3 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Act 4 of The Merchant of Venice | Statement: [Bassanio, appearsInAct, Act 4 of The Merchant of Venice]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Act 4 of The Merchant of Venice Context triple: [Bassanio, appearsInAct, Act 4 of The Merchant of Venice]
-
A.
Act 3 of The Merchant of Venice
Act 3 of *The Merchant of Venice* is the pivotal section of Shakespeare’s play in which the bond plot and the fates of Antonio, Bassanio, and Shylock intensify toward the climactic trial.
-
B.
Act II of The Merchant of Venice
Act II of *The Merchant of Venice* is the section of Shakespeare’s play that develops the casket-choosing plot, advances the romantic and financial stakes, and introduces key comic and dramatic turns that shape the story’s direction.
-
C.
The Merchant of Venice
The Merchant of Venice is a Shakespearean play that blends romantic comedy with intense drama, best known for the character Shylock and its exploration of mercy, justice, and prejudice.
-
D.
Act IV of Much Ado About Nothing
Act IV of Much Ado About Nothing is the pivotal act in Shakespeare’s comedy where Don John’s deceit culminates in the disastrous wedding scene, leading to Hero’s public shaming and the play’s darkest emotional turn.
-
E.
Act III of Much Ado About Nothing
Act III of Much Ado About Nothing is a pivotal section of Shakespeare’s comedy in which deception intensifies, romantic misunderstandings deepen, and Don John’s villainous plot against Claudio and Hero moves toward its crisis.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Act 4 of The Merchant of Venice Target entity description: Act 4 of *The Merchant of Venice* is the pivotal courtroom scene in which the conflict over Antonio’s bond with Shylock reaches its dramatic legal and moral climax.
-
A.
Act 3 of The Merchant of Venice
Act 3 of *The Merchant of Venice* is the pivotal section of Shakespeare’s play in which the bond plot and the fates of Antonio, Bassanio, and Shylock intensify toward the climactic trial.
-
B.
Act II of The Merchant of Venice
Act II of *The Merchant of Venice* is the section of Shakespeare’s play that develops the casket-choosing plot, advances the romantic and financial stakes, and introduces key comic and dramatic turns that shape the story’s direction.
-
C.
The Merchant of Venice
The Merchant of Venice is a Shakespearean play that blends romantic comedy with intense drama, best known for the character Shylock and its exploration of mercy, justice, and prejudice.
-
D.
Act IV of Much Ado About Nothing
Act IV of Much Ado About Nothing is the pivotal act in Shakespeare’s comedy where Don John’s deceit culminates in the disastrous wedding scene, leading to Hero’s public shaming and the play’s darkest emotional turn.
-
E.
Act III of Much Ado About Nothing
Act III of Much Ado About Nothing is a pivotal section of Shakespeare’s comedy in which deception intensifies, romantic misunderstandings deepen, and Don John’s villainous plot against Claudio and Hero moves toward its crisis.
- F. None of above. chosen
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69da626b2d748190886981ea90c8b2ea |
completed | April 11, 2026, 3:02 p.m. |
| NER | Named-entity recognition | batch_69e66238f434819083b11458179bb601 |
completed | April 20, 2026, 5:28 p.m. |
Created at: April 11, 2026, 3:34 p.m.