Triple
T19946509
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Drawing Restraint 9 |
E479434
|
entity |
| Predicate | relatedWork |
P37
|
FINISHED |
| Object | Drawing Restraint 6 |
—
|
NE NERFINISHED |
How this triple was built (3 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Drawing Restraint 6 | Statement: [Drawing Restraint 9, relatedWork, Drawing Restraint 6]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Drawing Restraint 6 Context triple: [Drawing Restraint 9, relatedWork, Drawing Restraint 6]
-
A.
Drawing Restraint 26
Drawing Restraint 26 is a later installment in Matthew Barney’s long-running experimental art series, continuing his exploration of ritual, transformation, and the body through complex, multimedia installations and performances.
-
B.
Drawing Restraint 5
Drawing Restraint 5 is an earlier installment in Matthew Barney’s experimental Drawing Restraint series, blending performance, sculpture, and film to explore themes of physical limitation and creative process.
-
C.
Drawing Restraint 2
Drawing Restraint 2 is an early installment in Matthew Barney’s experimental Drawing Restraint series, featuring his characteristic blend of performance, sculpture, and film to explore themes of physical limitation and creative process.
-
D.
Drawing Restraint 4
Drawing Restraint 4 is an earlier installment in Matthew Barney’s experimental Drawing Restraint series, blending performance, sculpture, and film to explore themes of physical limitation and creative process.
-
E.
Drawing Restraint 23
Drawing Restraint 23 is a work in Matthew Barney’s long-running Drawing Restraint series, continuing his exploration of physical limitation, transformation, and ritualized performance.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Drawing Restraint 6 Target entity description: Drawing Restraint 6 is an earlier installment in Matthew Barney’s experimental Drawing Restraint series, blending performance, sculpture, and film to explore themes of physical limitation and creative process.
-
A.
Drawing Restraint 26
Drawing Restraint 26 is a later installment in Matthew Barney’s long-running experimental art series, continuing his exploration of ritual, transformation, and the body through complex, multimedia installations and performances.
-
B.
Drawing Restraint 5
Drawing Restraint 5 is an earlier installment in Matthew Barney’s experimental Drawing Restraint series, blending performance, sculpture, and film to explore themes of physical limitation and creative process.
-
C.
Drawing Restraint 2
Drawing Restraint 2 is an early installment in Matthew Barney’s experimental Drawing Restraint series, featuring his characteristic blend of performance, sculpture, and film to explore themes of physical limitation and creative process.
-
D.
Drawing Restraint 4
Drawing Restraint 4 is an earlier installment in Matthew Barney’s experimental Drawing Restraint series, blending performance, sculpture, and film to explore themes of physical limitation and creative process.
-
E.
Drawing Restraint 23
Drawing Restraint 23 is a work in Matthew Barney’s long-running Drawing Restraint series, continuing his exploration of physical limitation, transformation, and ritualized performance.
- F. None of above. chosen
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69d8e522a17c819095165d4d24939fd8 |
completed | April 10, 2026, 11:55 a.m. |
| NER | Named-entity recognition | batch_69e65a6725dc81908c55ec5595be6778 |
completed | April 20, 2026, 4:55 p.m. |
Created at: April 10, 2026, 1:54 p.m.