Triple

T19946439
Position Surface form Disambiguated ID Type / Status
Subject Drawing Restraint series E479433 entity
Predicate hasPart P35 FINISHED
Object Drawing Restraint 22 NE NERFINISHED

How this triple was built (3 steps)

Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.

NER Named-entity recognition gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Drawing Restraint 22 | Statement: [Drawing Restraint series, hasPart, Drawing Restraint 22]
NED1 Entity disambiguation (via context triple) gpt-5-mini-2025-08-07
Target entity: Drawing Restraint 22
Context triple: [Drawing Restraint series, hasPart, Drawing Restraint 22]
  • A. Drawing Restraint 21
    Drawing Restraint 21 is a work within Matthew Barney’s long-running Drawing Restraint project, continuing his exploration of physical limitation, transformation, and ritualized performance as generative forces in art.
  • B. Drawing Restraint 20
    Drawing Restraint 20 is a work in Matthew Barney’s long-running Drawing Restraint series, continuing his exploration of physical limitation, transformation, and ritualized performance.
  • C. Drawing Restraint 12
    Drawing Restraint 12 is a multimedia artwork by Matthew Barney that continues his experimental exploration of physical limitation, transformation, and ritual within the larger Drawing Restraint series.
  • D. Drawing Restraint 17
    Drawing Restraint 17 is a multimedia artwork by Matthew Barney that continues his experimental exploration of transformation, ritual, and physical constraint within the larger Drawing Restraint series.
  • E. Drawing Restraint 16
    Drawing Restraint 16 is a work in Matthew Barney’s experimental Drawing Restraint series, continuing his exploration of physical limitation, ritual, and transformation through performance-based visual art.
  • F. None of above. chosen
  • G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2 Entity disambiguation (via description) gpt-5-mini-2025-08-07
Target entity: Drawing Restraint 22
Target entity description: Drawing Restraint 22 is a later installment in Matthew Barney’s long-running Drawing Restraint project, continuing his exploration of physical limitation, ritual, and transformation through elaborate, multimedia performance-based art.
  • A. Drawing Restraint 21
    Drawing Restraint 21 is a work within Matthew Barney’s long-running Drawing Restraint project, continuing his exploration of physical limitation, transformation, and ritualized performance as generative forces in art.
  • B. Drawing Restraint 20
    Drawing Restraint 20 is a work in Matthew Barney’s long-running Drawing Restraint series, continuing his exploration of physical limitation, transformation, and ritualized performance.
  • C. Drawing Restraint 12
    Drawing Restraint 12 is a multimedia artwork by Matthew Barney that continues his experimental exploration of physical limitation, transformation, and ritual within the larger Drawing Restraint series.
  • D. Drawing Restraint 17
    Drawing Restraint 17 is a multimedia artwork by Matthew Barney that continues his experimental exploration of transformation, ritual, and physical constraint within the larger Drawing Restraint series.
  • E. Drawing Restraint 16
    Drawing Restraint 16 is a work in Matthew Barney’s experimental Drawing Restraint series, continuing his exploration of physical limitation, ritual, and transformation through performance-based visual art.
  • F. None of above. chosen

Provenance (2 batches)

The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.

Step Stage Batch ID Status When
creating Elicitation batch_69d8e522a17c819095165d4d24939fd8 completed April 10, 2026, 11:55 a.m.
NER Named-entity recognition batch_69e65a6725dc81908c55ec5595be6778 completed April 20, 2026, 4:55 p.m.
Created at: April 10, 2026, 1:54 p.m.