Triple

T19946436
Position Surface form Disambiguated ID Type / Status
Subject Drawing Restraint series E479433 entity
Predicate hasPart P35 FINISHED
Object Drawing Restraint 19 NE NERFINISHED

How this triple was built (3 steps)

Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.

NER Named-entity recognition gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Drawing Restraint 19 | Statement: [Drawing Restraint series, hasPart, Drawing Restraint 19]
NED1 Entity disambiguation (via context triple) gpt-5-mini-2025-08-07
Target entity: Drawing Restraint 19
Context triple: [Drawing Restraint series, hasPart, Drawing Restraint 19]
  • A. Drawing Restraint 17
    Drawing Restraint 17 is a multimedia artwork by Matthew Barney that continues his experimental exploration of transformation, ritual, and physical constraint within the larger Drawing Restraint series.
  • B. Drawing Restraint 16
    Drawing Restraint 16 is a work in Matthew Barney’s experimental Drawing Restraint series, continuing his exploration of physical limitation, ritual, and transformation through performance-based visual art.
  • C. Drawing Restraint 9
    Drawing Restraint 9 is an experimental art film by Matthew Barney that blends surreal narrative, elaborate sculptural sets, and ritualistic imagery, set largely aboard a Japanese whaling vessel.
  • D. Drawing Restraint 14
    Drawing Restraint 14 is a multimedia artwork by Matthew Barney that continues his experimental exploration of physical limitation, transformation, and ritual within the larger Drawing Restraint series.
  • E. Drawing Restraint 15
    Drawing Restraint 15 is a multimedia artwork by Matthew Barney that continues his experimental Drawing Restraint series, exploring themes of transformation, constraint, and ritual through complex visual and performative elements.
  • F. None of above. chosen
  • G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2 Entity disambiguation (via description) gpt-5-mini-2025-08-07
Target entity: Drawing Restraint 19
Target entity description: Drawing Restraint 19 is a multimedia artwork by Matthew Barney that continues his long-running Drawing Restraint series, exploring themes of transformation, constraint, and ritual through complex visual and sculptural forms.
  • A. Drawing Restraint 17
    Drawing Restraint 17 is a multimedia artwork by Matthew Barney that continues his experimental exploration of transformation, ritual, and physical constraint within the larger Drawing Restraint series.
  • B. Drawing Restraint 16
    Drawing Restraint 16 is a work in Matthew Barney’s experimental Drawing Restraint series, continuing his exploration of physical limitation, ritual, and transformation through performance-based visual art.
  • C. Drawing Restraint 9
    Drawing Restraint 9 is an experimental art film by Matthew Barney that blends surreal narrative, elaborate sculptural sets, and ritualistic imagery, set largely aboard a Japanese whaling vessel.
  • D. Drawing Restraint 14
    Drawing Restraint 14 is a multimedia artwork by Matthew Barney that continues his experimental exploration of physical limitation, transformation, and ritual within the larger Drawing Restraint series.
  • E. Drawing Restraint 15
    Drawing Restraint 15 is a multimedia artwork by Matthew Barney that continues his experimental Drawing Restraint series, exploring themes of transformation, constraint, and ritual through complex visual and performative elements.
  • F. None of above. chosen

Provenance (2 batches)

The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.

Step Stage Batch ID Status When
creating Elicitation batch_69d8e522a17c819095165d4d24939fd8 completed April 10, 2026, 11:55 a.m.
NER Named-entity recognition batch_69e65a6725dc81908c55ec5595be6778 completed April 20, 2026, 4:55 p.m.
Created at: April 10, 2026, 1:54 p.m.