Triple
T19611377
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Detroit techno |
E470737
|
entity |
| Predicate | notableArtist |
P601
|
FINISHED |
| Object | Jeff Mills |
—
|
NE NERFINISHED |
How this triple was built (2 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Jeff Mills | Statement: [Detroit techno, notableArtist, Jeff Mills]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Jeff Mills Context triple: [Detroit techno, notableArtist, Jeff Mills]
-
A.
Jeff Mills
chosen
Jeff Mills is an influential American DJ and producer, widely regarded as a pioneering figure in Detroit techno and electronic music.
-
B.
Derrick May
Derrick May is an American electronic music producer and DJ widely regarded as one of the pioneering architects of Detroit techno.
-
C.
Juan Atkins
Juan Atkins is an American electronic musician and producer widely regarded as one of the originators of techno music and a central figure in the Detroit techno movement.
-
D.
Kevin Saunderson
Kevin Saunderson is an American DJ and producer widely recognized as one of the founding figures of Detroit techno and a key member of the Belleville Three.
-
E.
Matthew Herbert
Matthew Herbert is an experimental British musician and producer known for his innovative use of found sounds and unconventional recording techniques in electronic and jazz-influenced music.
- F. None of above.
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69d8e510fa248190b7afb274a1d4cf73 |
completed | April 10, 2026, 11:54 a.m. |
| NER | Named-entity recognition | batch_69e640cb180c8190ba96ffb69c24e2e1 |
completed | April 20, 2026, 3:05 p.m. |
Created at: April 10, 2026, 1:43 p.m.