Triple
T19551860
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | "That's All" |
E489214
|
entity |
| Predicate | hasMusicVideo |
P3287
|
FINISHED |
| Object | "That's All" music video |
—
|
NE NERFINISHED |
How this triple was built (3 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: "That's All" music video | Statement: ["That's All", hasMusicVideo, "That's All" music video]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: "That's All" music video Context triple: ["That's All", hasMusicVideo, "That's All" music video]
-
A.
"So What" music video
The "So What" music video is the energetic, rebellious visual for Pink’s hit single, known for its humorous storyline and bold, high-impact style.
-
B.
“My All” (Mariah Carey) music video
The “My All” music video is a visually stylized, romantic black-and-white clip for Mariah Carey’s 1998 ballad, known for its sensual imagery and atmospheric direction by Paul Hunter.
-
C.
"Give It 2 Me" music video
The "Give It 2 Me" music video is a stylish, high-energy visual for Madonna’s 2008 dance-pop single, featuring her performing in minimalist studio settings with rapid cuts, fashion-forward looks, and a playful, club-like atmosphere.
-
D.
"Next to Me" music video
The "Next to Me" music video is a visually polished, narrative-driven clip for Emeli Sandé’s hit song, known for its emotive performance sequences and cinematic style.
-
E.
“Freak Me” (Silk) music video
The “Freak Me” music video by Silk is a sensual early-1990s R&B visual directed by Paul Hunter that helped define the group’s slow-jam image and contributed to the song’s mainstream success.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: "That's All" music video Target entity description: The "That's All" music video is the official visual accompaniment to Genesis's 1983 hit single, featuring the band performing in a shabby, dimly lit room that gradually fills with quirky, repetitive imagery matching the song’s offbeat tone.
-
A.
"So What" music video
The "So What" music video is the energetic, rebellious visual for Pink’s hit single, known for its humorous storyline and bold, high-impact style.
-
B.
“My All” (Mariah Carey) music video
The “My All” music video is a visually stylized, romantic black-and-white clip for Mariah Carey’s 1998 ballad, known for its sensual imagery and atmospheric direction by Paul Hunter.
-
C.
"Give It 2 Me" music video
The "Give It 2 Me" music video is a stylish, high-energy visual for Madonna’s 2008 dance-pop single, featuring her performing in minimalist studio settings with rapid cuts, fashion-forward looks, and a playful, club-like atmosphere.
-
D.
"Next to Me" music video
The "Next to Me" music video is a visually polished, narrative-driven clip for Emeli Sandé’s hit song, known for its emotive performance sequences and cinematic style.
-
E.
“Freak Me” (Silk) music video
The “Freak Me” music video by Silk is a sensual early-1990s R&B visual directed by Paul Hunter that helped define the group’s slow-jam image and contributed to the song’s mainstream success.
- F. None of above. chosen
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69d8e8dc5d8c8190a6d7bd8864f43ca0 |
completed | April 10, 2026, 12:11 p.m. |
| NER | Named-entity recognition | batch_69e63d30a1d8819084d1bc60a5e49cae |
completed | April 20, 2026, 2:50 p.m. |
Created at: April 10, 2026, 1:41 p.m.