Triple
T19543476
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Charles Fox |
E488970
|
entity |
| Predicate | notableWork |
P4
|
FINISHED |
| Object | The Other Side of the Mountain (film score) |
—
|
NE NERFINISHED |
How this triple was built (3 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: The Other Side of the Mountain (film score) | Statement: [Charles Fox, notableWork, The Other Side of the Mountain (film score)]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: The Other Side of the Mountain (film score) Context triple: [Charles Fox, notableWork, The Other Side of the Mountain (film score)]
-
A.
The Other Side of the Mountain (film score)
The Other Side of the Mountain (film score) is a 1975 film soundtrack composed by Lee Holdridge, noted for its lyrical, emotionally resonant orchestral themes that support the biographical drama’s inspirational tone.
-
B.
The Other (film score)
The Other (film score) is a 1972 film soundtrack composed by Jerry Goldsmith for the psychological horror film "The Other," noted for its eerie, atmospheric orchestration.
-
C.
Home from the Hill (film score)
"Home from the Hill" is a dramatic orchestral film score composed by Bronisław Kaper for the 1960 MGM family drama of the same name.
-
D.
The Conquest of Everest (film score)
The Conquest of Everest (film score) is a 1953 orchestral soundtrack composed for the British documentary film chronicling the first successful ascent of Mount Everest.
-
E.
The Other Side of the Tracks (score)
The Other Side of the Tracks (score) is a film soundtrack composed by Tree Adams, known for its atmospheric blend of rock and orchestral elements that underscore the movie’s dramatic and emotional themes.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: The Other Side of the Mountain (film score) Target entity description: The Other Side of the Mountain (film score) is a 1975 film soundtrack composed by Charles Fox, noted for its melodic, emotionally driven themes that underscore the biographical drama of skier Jill Kinmont.
-
A.
The Other Side of the Mountain (film score)
The Other Side of the Mountain (film score) is a 1975 film soundtrack composed by Lee Holdridge, noted for its lyrical, emotionally resonant orchestral themes that support the biographical drama’s inspirational tone.
-
B.
The Other (film score)
The Other (film score) is a 1972 film soundtrack composed by Jerry Goldsmith for the psychological horror film "The Other," noted for its eerie, atmospheric orchestration.
-
C.
Home from the Hill (film score)
"Home from the Hill" is a dramatic orchestral film score composed by Bronisław Kaper for the 1960 MGM family drama of the same name.
-
D.
The Conquest of Everest (film score)
The Conquest of Everest (film score) is a 1953 orchestral soundtrack composed for the British documentary film chronicling the first successful ascent of Mount Everest.
-
E.
The Other Side of the Tracks (score)
The Other Side of the Tracks (score) is a film soundtrack composed by Tree Adams, known for its atmospheric blend of rock and orchestral elements that underscore the movie’s dramatic and emotional themes.
- F. None of above. chosen
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69d8e8db5b6c8190984b61f91981f575 |
completed | April 10, 2026, 12:11 p.m. |
| NER | Named-entity recognition | batch_69e638750b288190aecdb0e18a1add62 |
completed | April 20, 2026, 2:30 p.m. |
Created at: April 10, 2026, 1:41 p.m.