Triple
T19512693
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Origin of the Universe |
E488194
|
entity |
| Predicate | reimagines |
P78725
|
FINISHED |
| Object | L’Origine du monde |
—
|
NE NERFINISHED |
How this triple was built (2 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: L’Origine du monde | Statement: [Origin of the Universe, reimagines, L’Origine du monde]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: L’Origine du monde Context triple: [Origin of the Universe, reimagines, L’Origine du monde]
-
A.
L’Origine du monde
chosen
L’Origine du monde is an 1866 oil painting by Gustave Courbet, famous for its explicit and realistic depiction of a woman's genitals and its provocative challenge to artistic and social norms.
-
B.
L’Origine de la peinture
L’Origine de la peinture is a 1785 neoclassical painting by French artist Jean-Baptiste Regnault that allegorically depicts the legendary invention of painting through the story of a woman tracing her lover’s shadow.
-
C.
La Baigneuse
La Baigneuse is a vibrant Fauvist painting by Henri Manguin depicting a nude bather in a luminous, color-rich landscape.
-
D.
L’Œuvre d’art vivant
L’Œuvre d’art vivant is a seminal theoretical text by stage designer Adolphe Appia that redefines theatrical production through the integration of space, light, movement, and music into a unified living work of art.
-
E.
L’Après-midi d’un faune
L’Après-midi d’un faune is a symbolist poem by Stéphane Mallarmé that portrays the dreamy, sensual reverie of a faun reflecting on his encounters with nymphs.
- F. None of above.
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69d8e8da8bec819081f400199491ccc3 |
completed | April 10, 2026, 12:11 p.m. |
| NER | Named-entity recognition | batch_69e6359908fc8190bd05f26d4271d268 |
completed | April 20, 2026, 2:18 p.m. |
Created at: April 10, 2026, 1:40 p.m.