Triple
T19447418
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Werner R. Heymann |
E486515
|
entity |
| Predicate | notableWork |
P4
|
FINISHED |
| Object | A Foreign Affair (film score) |
—
|
NE NERFINISHED |
How this triple was built (3 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: A Foreign Affair (film score) | Statement: [Werner R. Heymann, notableWork, A Foreign Affair (film score)]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: A Foreign Affair (film score) Context triple: [Werner R. Heymann, notableWork, A Foreign Affair (film score)]
-
A.
Exotica (film score)
Exotica (film score) is a critically acclaimed, atmospheric soundtrack composed by Mychael Danna for Atom Egoyan’s 1994 film "Exotica," noted for its evocative blend of world music and ambient textures.
-
B.
The Counselor (film score)
The Counselor (film score) is a dark, atmospheric soundtrack composed by Daniel Pemberton for Ridley Scott’s 2013 crime thriller film The Counselor.
-
C.
The Fugitive (film score)
The Fugitive (film score) is a 1993 action-thriller film soundtrack composed by James Newton Howard, noted for its tense orchestral writing and effective support of the film’s suspenseful tone.
-
D.
The Man Who Knew Too Much (film score)
The Man Who Knew Too Much (film score) is a notable film soundtrack composed by Arthur Benjamin for Alfred Hitchcock’s thriller, best known for its dramatic orchestral music featured in the climactic concert hall sequence.
-
E.
The Heiress (film score)
The Heiress (film score) is Aaron Copland’s acclaimed 1949 orchestral soundtrack for the film adaptation of Henry James’s "Washington Square," noted for its emotionally nuanced, romantic yet modernist style.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: A Foreign Affair (film score) Target entity description: A Foreign Affair (film score) is the musical soundtrack composed by Werner R. Heymann for Billy Wilder’s 1948 satirical romantic comedy set in postwar Berlin.
-
A.
Exotica (film score)
Exotica (film score) is a critically acclaimed, atmospheric soundtrack composed by Mychael Danna for Atom Egoyan’s 1994 film "Exotica," noted for its evocative blend of world music and ambient textures.
-
B.
The Counselor (film score)
The Counselor (film score) is a dark, atmospheric soundtrack composed by Daniel Pemberton for Ridley Scott’s 2013 crime thriller film The Counselor.
-
C.
The Fugitive (film score)
The Fugitive (film score) is a 1993 action-thriller film soundtrack composed by James Newton Howard, noted for its tense orchestral writing and effective support of the film’s suspenseful tone.
-
D.
The Man Who Knew Too Much (film score)
The Man Who Knew Too Much (film score) is a notable film soundtrack composed by Arthur Benjamin for Alfred Hitchcock’s thriller, best known for its dramatic orchestral music featured in the climactic concert hall sequence.
-
E.
The Heiress (film score)
The Heiress (film score) is Aaron Copland’s acclaimed 1949 orchestral soundtrack for the film adaptation of Henry James’s "Washington Square," noted for its emotionally nuanced, romantic yet modernist style.
- F. None of above. chosen
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69d8e8d7ad488190a3373045029b0f3b |
completed | April 10, 2026, 12:11 p.m. |
| NER | Named-entity recognition | batch_69e6338b25d88190bc137a411576c73f |
completed | April 20, 2026, 2:09 p.m. |
Created at: April 10, 2026, 1:38 p.m.