Triple

T19204735
Position Surface form Disambiguated ID Type / Status
Subject Cornell Capa E480201 entity
Predicate notableWork P4 FINISHED
Object The Concerned Photographer (book and exhibition series) NE NERFINISHED

How this triple was built (3 steps)

Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.

NER Named-entity recognition gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: The Concerned Photographer (book and exhibition series) | Statement: [Cornell Capa, notableWork, The Concerned Photographer (book and exhibition series)]
NED1 Entity disambiguation (via context triple) gpt-5-mini-2025-08-07
Target entity: The Concerned Photographer (book and exhibition series)
Context triple: [Cornell Capa, notableWork, The Concerned Photographer (book and exhibition series)]
  • A. A Photographer’s Life: 1990–2005
    A Photographer’s Life: 1990–2005 is a photography book by Annie Leibovitz that interweaves her iconic celebrity portraits with intimate personal images from her own life over a fifteen-year period.
  • B. The Image Makers
    The Image Makers is a play by Swedish author P.O. Enquist that dramatizes the tense collaboration between filmmaker Victor Sjöström and author Selma Lagerlöf during the adaptation of her novel "The Phantom Carriage."
  • C. On Photography
    On Photography is a section of The New York Times Magazine that explores the art, culture, and impact of photography through essays, features, and visual storytelling.
  • D. On Photography
    On Photography is a seminal collection of essays by Susan Sontag that critically examines the cultural, philosophical, and ethical implications of photography in modern society.
  • E. Use Photography as a Weapon
    "Use Photography as a Weapon" is a famous slogan and guiding principle of German artist John Heartfield’s politically charged photomontage practice, emphasizing the use of photographic collage as a tool for anti-fascist propaganda and social critique.
  • F. None of above. chosen
  • G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2 Entity disambiguation (via description) gpt-5-mini-2025-08-07
Target entity: The Concerned Photographer (book and exhibition series)
Target entity description: The Concerned Photographer is a book and exhibition series curated by Cornell Capa that showcases socially engaged photojournalism dedicated to documenting and inspiring action on critical human and political issues.
  • A. A Photographer’s Life: 1990–2005
    A Photographer’s Life: 1990–2005 is a photography book by Annie Leibovitz that interweaves her iconic celebrity portraits with intimate personal images from her own life over a fifteen-year period.
  • B. The Image Makers
    The Image Makers is a play by Swedish author P.O. Enquist that dramatizes the tense collaboration between filmmaker Victor Sjöström and author Selma Lagerlöf during the adaptation of her novel "The Phantom Carriage."
  • C. On Photography
    On Photography is a section of The New York Times Magazine that explores the art, culture, and impact of photography through essays, features, and visual storytelling.
  • D. On Photography
    On Photography is a seminal collection of essays by Susan Sontag that critically examines the cultural, philosophical, and ethical implications of photography in modern society.
  • E. Use Photography as a Weapon
    "Use Photography as a Weapon" is a famous slogan and guiding principle of German artist John Heartfield’s politically charged photomontage practice, emphasizing the use of photographic collage as a tool for anti-fascist propaganda and social critique.
  • F. None of above. chosen

Provenance (2 batches)

The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.

Step Stage Batch ID Status When
creating Elicitation batch_69d8e8cb8c348190b52075823911c869 completed April 10, 2026, 12:10 p.m.
NER Named-entity recognition batch_69e5f99b37c081908c13e0b4cca52aa4 completed April 20, 2026, 10:02 a.m.
Created at: April 10, 2026, 1:17 p.m.