Triple

T19009797
Position Surface form Disambiguated ID Type / Status
Subject John Barry Prendergast E465189 entity
Predicate notableWork P4 FINISHED
Object The Ipcress File (film score) NE NERFINISHED

How this triple was built (3 steps)

Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.

NER Named-entity recognition gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: The Ipcress File (film score) | Statement: [John Barry Prendergast, notableWork, The Ipcress File (film score)]
NED1 Entity disambiguation (via context triple) gpt-5-mini-2025-08-07
Target entity: The Ipcress File (film score)
Context triple: [John Barry Prendergast, notableWork, The Ipcress File (film score)]
  • A. The Man Who Knew Too Much (film score)
    The Man Who Knew Too Much (film score) is a notable film soundtrack composed by Arthur Benjamin for Alfred Hitchcock’s thriller, best known for its dramatic orchestral music featured in the climactic concert hall sequence.
  • B. The Lavender Hill Mob (film score)
    The Lavender Hill Mob (film score) is a light, witty orchestral soundtrack by French composer Georges Auric for the 1951 Ealing Studios crime-comedy film "The Lavender Hill Mob."
  • C. A Clockwork Orange (film score)
    A Clockwork Orange (film score) is the electronic and classical music soundtrack composed by Wendy Carlos for Stanley Kubrick’s 1971 dystopian film, noted for its innovative use of Moog synthesizers and reinterpretations of classical pieces.
  • D. Serpico (film score)
    Serpico (film score) is the musical soundtrack composed by Mikis Theodorakis for the 1973 crime drama film "Serpico," noted for its tense, atmospheric themes that underscore the movie’s gritty realism.
  • E. You Only Live Twice (film score)
    "You Only Live Twice" is the orchestral film score composed by John Barry for the 1967 James Bond movie of the same name, noted for its lush, dramatic themes and iconic title song.
  • F. None of above. chosen
  • G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2 Entity disambiguation (via description) gpt-5-mini-2025-08-07
Target entity: The Ipcress File (film score)
Target entity description: The Ipcress File (film score) is a 1965 spy film soundtrack by composer John Barry, noted for its distinctive, atmospheric jazz-influenced orchestration that helped define the mood of Cold War espionage cinema.
  • A. The Man Who Knew Too Much (film score)
    The Man Who Knew Too Much (film score) is a notable film soundtrack composed by Arthur Benjamin for Alfred Hitchcock’s thriller, best known for its dramatic orchestral music featured in the climactic concert hall sequence.
  • B. The Lavender Hill Mob (film score)
    The Lavender Hill Mob (film score) is a light, witty orchestral soundtrack by French composer Georges Auric for the 1951 Ealing Studios crime-comedy film "The Lavender Hill Mob."
  • C. A Clockwork Orange (film score)
    A Clockwork Orange (film score) is the electronic and classical music soundtrack composed by Wendy Carlos for Stanley Kubrick’s 1971 dystopian film, noted for its innovative use of Moog synthesizers and reinterpretations of classical pieces.
  • D. Serpico (film score)
    Serpico (film score) is the musical soundtrack composed by Mikis Theodorakis for the 1973 crime drama film "Serpico," noted for its tense, atmospheric themes that underscore the movie’s gritty realism.
  • E. You Only Live Twice (film score)
    "You Only Live Twice" is the orchestral film score composed by John Barry for the 1967 James Bond movie of the same name, noted for its lush, dramatic themes and iconic title song.
  • F. None of above. chosen

Provenance (2 batches)

The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.

Step Stage Batch ID Status When
creating Elicitation batch_69d8dd025c188190a1d81f5b4ec7e2c6 completed April 10, 2026, 11:20 a.m.
NER Named-entity recognition batch_69e5d6a8225c81908e80ae7eb1c1301b completed April 20, 2026, 7:32 a.m.
Created at: April 10, 2026, 12:02 p.m.