Triple
T18975515
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Elizabeth Sellars |
E464283
|
entity |
| Predicate | notableWork |
P4
|
FINISHED |
| Object | The Barefoot Contessa (role: Jerry Dawes) |
—
|
NE NERFINISHED |
How this triple was built (3 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: The Barefoot Contessa (role: Jerry Dawes) | Statement: [Elizabeth Sellars, notableWork, The Barefoot Contessa (role: Jerry Dawes)]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: The Barefoot Contessa (role: Jerry Dawes) Context triple: [Elizabeth Sellars, notableWork, The Barefoot Contessa (role: Jerry Dawes)]
-
A.
Frankie Bergstein in Grace and Frankie
Frankie Bergstein in Grace and Frankie is a free-spirited, eccentric artist and activist who forms an unlikely but deep friendship with Grace Hanson after their husbands leave them for each other.
-
B.
Sally Cato in Auntie Mame
Sally Cato in *Auntie Mame* is a snobbish, socially ambitious Southern relative who serves as a comic antagonist to the free-spirited Mame.
-
C.
Reizl Bozyk as Bubbie Kantor
Reizl Bozyk as Bubbie Kantor is the warm, traditional Jewish grandmother character in the romantic comedy film "Crossing Delancey," embodying Old World values and matchmaking instincts.
-
D.
Phyllis Calvert as Fanny Hooper
Phyllis Calvert as Fanny Hooper is the central heroine of the 1944 British melodrama "Fanny by Gaslight," portraying a young woman navigating scandal, class prejudice, and romantic turmoil in Victorian London.
-
E.
Nickie in Sweet Charity
Nickie in *Sweet Charity* is one of Charity Hope Valentine’s tough, wisecracking fellow dance-hall hostesses, known for her street-smart humor and loyal friendship.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: The Barefoot Contessa (role: Jerry Dawes) Target entity description: The Barefoot Contessa (role: Jerry Dawes) is a 1954 romantic drama film, best known for its glamorous portrayal of a Spanish dancer’s rise to Hollywood stardom and its performances by Ava Gardner and Humphrey Bogart.
-
A.
Frankie Bergstein in Grace and Frankie
Frankie Bergstein in Grace and Frankie is a free-spirited, eccentric artist and activist who forms an unlikely but deep friendship with Grace Hanson after their husbands leave them for each other.
-
B.
Sally Cato in Auntie Mame
Sally Cato in *Auntie Mame* is a snobbish, socially ambitious Southern relative who serves as a comic antagonist to the free-spirited Mame.
-
C.
Reizl Bozyk as Bubbie Kantor
Reizl Bozyk as Bubbie Kantor is the warm, traditional Jewish grandmother character in the romantic comedy film "Crossing Delancey," embodying Old World values and matchmaking instincts.
-
D.
Phyllis Calvert as Fanny Hooper
Phyllis Calvert as Fanny Hooper is the central heroine of the 1944 British melodrama "Fanny by Gaslight," portraying a young woman navigating scandal, class prejudice, and romantic turmoil in Victorian London.
-
E.
Nickie in Sweet Charity
Nickie in *Sweet Charity* is one of Charity Hope Valentine’s tough, wisecracking fellow dance-hall hostesses, known for her street-smart humor and loyal friendship.
- F. None of above. chosen
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69d8dd008af48190a97ff1c6488edf1b |
completed | April 10, 2026, 11:20 a.m. |
| NER | Named-entity recognition | batch_69e5d61e71988190817cada25672a1ce |
completed | April 20, 2026, 7:30 a.m. |
Created at: April 10, 2026, noon