Triple
T18952197
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | relational aesthetics |
E463681
|
entity |
| Predicate | describedIn |
P519
|
FINISHED |
| Object | "Relational Aesthetics" (book) |
—
|
NE NERFINISHED |
How this triple was built (2 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: "Relational Aesthetics" (book) | Statement: [relational aesthetics, describedIn, "Relational Aesthetics" (book)]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: "Relational Aesthetics" (book) Context triple: [relational aesthetics, describedIn, "Relational Aesthetics" (book)]
-
A.
relational aesthetics
chosen
Relational aesthetics is an art theory and practice, popularized in the 1990s, that focuses on creating social interactions and shared experiences as the primary medium of the artwork.
-
B.
The Treachery of Images
The Treachery of Images is a famous 1929 painting by René Magritte that depicts a realistic pipe alongside the caption “Ceci n’est pas une pipe,” challenging viewers’ assumptions about representation and reality.
-
C.
The Collectors at the Venice Biennale
The Collectors at the Venice Biennale is a conceptual, narrative-driven exhibition by artist duo Elmgreen & Dragset that transformed national pavilions into fictional domestic settings to explore themes of identity, desire, and the art market.
-
D.
The Isms of Art
The Isms of Art is a seminal avant-garde art book by El Lissitzky that surveys and visually interprets the major modern art movements of the early 20th century.
-
E.
Women, the New York School, and Other True Abstractions
Women, the New York School, and Other True Abstractions is a critical study by Maggie Nelson that examines the overlooked contributions of women poets and artists associated with the New York School.
- F. None of above.
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69d8dcffc278819086792a4ebfddfafa |
completed | April 10, 2026, 11:20 a.m. |
| NER | Named-entity recognition | batch_69e5d54385e08190903a054681352d11 |
completed | April 20, 2026, 7:26 a.m. |
Created at: April 10, 2026, noon