Triple

Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).

Phrase: Third movement: Precipitato | Statement: [Piano Sonata No. 7 in B-flat major, movement, Third movement: Precipitato]

Target entity: Third movement: Precipitato
Context triple: [Piano Sonata No. 7 in B-flat major, movement, Third movement: Precipitato]

• A. III. Scherzo: Allegro
  "III. Scherzo: Allegro" is the lively, dance-like third movement of Beethoven’s Symphony No. 2 in D major, Op. 36, showcasing his early transformation of the traditional symphonic minuet into a more energetic scherzo.
• B. III. Scherzo: Allegro pesante
  "III. Scherzo: Allegro pesante" is the vigorous, rhythmically driving scherzo movement of Antonín Dvořák’s Symphony No. 9 in E minor, often noted for its dance-like energy and dramatic contrasts.
• C. II. Allegro appassionato
  "II. Allegro appassionato" is the fiery, dramatic second movement of Johannes Brahms's Piano Concerto No. 2 in B-flat major, Op. 83, known for its passionate intensity and virtuosic piano writing.
• D. III. Rondo: Allegro non troppo
  "III. Rondo: Allegro non troppo" is the lively, rondo-form final movement of Brahms’s Piano Concerto No. 1 in D minor, characterized by its energetic themes and dramatic contrasts.
• E. III. Andante elegiaco
  III. Andante elegiaco is the slow, elegiac third movement of Tchaikovsky’s Third Symphony, noted for its lyrical melancholy and expressive orchestral writing.
• F. None of above. chosen
• G. Unsure - the case is ambiguous/there is not enough information to decide.

Target entity: Third movement: Precipitato
Target entity description: Third movement: Precipitato is the famously turbulent, toccata-like finale of Prokofiev’s Piano Sonata No. 7, known for its relentless drive, rhythmic intensity, and technical difficulty.

• A. III. Scherzo: Allegro
  "III. Scherzo: Allegro" is the lively, dance-like third movement of Beethoven’s Symphony No. 2 in D major, Op. 36, showcasing his early transformation of the traditional symphonic minuet into a more energetic scherzo.
• B. III. Scherzo: Allegro pesante
  "III. Scherzo: Allegro pesante" is the vigorous, rhythmically driving scherzo movement of Antonín Dvořák’s Symphony No. 9 in E minor, often noted for its dance-like energy and dramatic contrasts.
• C. II. Allegro appassionato
  "II. Allegro appassionato" is the fiery, dramatic second movement of Johannes Brahms's Piano Concerto No. 2 in B-flat major, Op. 83, known for its passionate intensity and virtuosic piano writing.
• D. III. Rondo: Allegro non troppo
  "III. Rondo: Allegro non troppo" is the lively, rondo-form final movement of Brahms’s Piano Concerto No. 1 in D minor, characterized by its energetic themes and dramatic contrasts.
• E. III. Andante elegiaco
  III. Andante elegiaco is the slow, elegiac third movement of Tchaikovsky’s Third Symphony, noted for its lyrical melancholy and expressive orchestral writing.
• F. None of above. chosen