Triple

T18445036
Position Surface form Disambiguated ID Type / Status
Subject Arthur Bliss E450631 entity
Predicate notableWork P4 FINISHED
Object Things to Come (film score) — NE NERFINISHED

How this triple was built (3 steps)

Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.

NER Named-entity recognition gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Things to Come (film score) | Statement: [Arthur Bliss, notableWork, Things to Come (film score)]
NED1 Entity disambiguation (via context triple) gpt-5-mini-2025-08-07 
Target entity: Things to Come (film score)
Context triple: [Arthur Bliss, notableWork, Things to Come (film score)]
  • A. Atonement (film score)
    Atonement (film score) is an acclaimed orchestral soundtrack by composer Dario Marianelli, noted for its innovative use of typewriter sounds and its emotionally rich, period-evocative themes.
  • B. The Guardian (film score)
    The Guardian (film score) is a dramatic orchestral and electronic soundtrack composed by Trevor Rabin for the 2006 U.S. Coast Guard rescue drama film "The Guardian."
  • C. The Day of the Triffids (film score)
    The Day of the Triffids (film score) is a 1962 science-fiction film soundtrack composed by Ron Goodwin, noted for its suspenseful orchestral themes that enhance the movie’s atmosphere of post-apocalyptic horror.
  • D. The Theory of Everything (film score)
    The Theory of Everything (film score) is an acclaimed, emotionally rich orchestral soundtrack composed by Jóhann Jóhannsson for the biographical film about physicist Stephen Hawking.
  • E. Those Magnificent Men in Their Flying Machines (film score)
    Those Magnificent Men in Their Flying Machines is a lively, comedic orchestral film score by British composer Ron Goodwin, written for the 1965 aviation-themed period comedy film of the same name.
  • F. None of above. chosen
  • G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2 Entity disambiguation (via description) gpt-5-mini-2025-08-07 
Target entity: Things to Come (film score)
Target entity description: Things to Come (film score) is Arthur Bliss’s influential orchestral soundtrack for the 1936 science-fiction film "Things to Come," noted for its grand, futuristic themes and pioneering role in early film music.
  • A. Atonement (film score)
    Atonement (film score) is an acclaimed orchestral soundtrack by composer Dario Marianelli, noted for its innovative use of typewriter sounds and its emotionally rich, period-evocative themes.
  • B. The Guardian (film score)
    The Guardian (film score) is a dramatic orchestral and electronic soundtrack composed by Trevor Rabin for the 2006 U.S. Coast Guard rescue drama film "The Guardian."
  • C. The Day of the Triffids (film score)
    The Day of the Triffids (film score) is a 1962 science-fiction film soundtrack composed by Ron Goodwin, noted for its suspenseful orchestral themes that enhance the movie’s atmosphere of post-apocalyptic horror.
  • D. The Theory of Everything (film score)
    The Theory of Everything (film score) is an acclaimed, emotionally rich orchestral soundtrack composed by Jóhann Jóhannsson for the biographical film about physicist Stephen Hawking.
  • E. Those Magnificent Men in Their Flying Machines (film score)
    Those Magnificent Men in Their Flying Machines is a lively, comedic orchestral film score by British composer Ron Goodwin, written for the 1965 aviation-themed period comedy film of the same name.
  • F. None of above. chosen

Provenance (2 batches)

The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.

Step Stage Batch ID Status When
creating Elicitation batch_69d8d381d6388190a9e94e9c658174e4 completed April 10, 2026, 10:40 a.m.
NER Named-entity recognition batch_69e51c15127881909d23b6dd45d7ccc9 completed April 19, 2026, 6:16 p.m.
Created at: April 10, 2026, 11:30 a.m.