Triple

Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).

Phrase: The Ghost Breaker (play) | Statement: [The Ghost Breaker (1922 film), basedOn, The Ghost Breaker (play)]

Target entity: The Ghost Breaker (play)
Context triple: [The Ghost Breaker (1922 film), basedOn, The Ghost Breaker (play)]

• A. Ghosts I–IV
  Ghosts I–IV is an experimental, mostly instrumental album by Nine Inch Nails that explores ambient, industrial, and electronic soundscapes across four themed volumes.
• B. The Sign on the Door (play)
  The Sign on the Door is a 1919 stage drama by American playwright Marion Fairfax, best known for its suspenseful plot involving secrets, blackmail, and moral dilemmas.
• C. Remains to Be Seen (play)
  Remains to Be Seen is a mid-20th-century Broadway comedy play co-written by Howard Lindsay that blends murder mystery elements with lighthearted, sophisticated humor.
• D. The Man in the Glass Booth (play)
  The Man in the Glass Booth is a stage play by Robert Shaw that explores identity, guilt, and the legacy of the Holocaust through the trial of a wealthy Jewish industrialist accused of being a Nazi war criminal.
• E. Ghosts Pounding the Wall
  Ghosts Pounding the Wall is a conceptual art project by Chinese artist Xu Bing that critically engages with history, language, and cultural memory through experimental visual forms.
• F. None of above. chosen
• G. Unsure - the case is ambiguous/there is not enough information to decide.

Target entity: The Ghost Breaker (play)
Target entity description: The Ghost Breaker (play) is an early 20th-century American stage comedy-thriller about ghost hunting and hidden treasure that later inspired multiple film adaptations.

• A. Ghosts I–IV
  Ghosts I–IV is an experimental, mostly instrumental album by Nine Inch Nails that explores ambient, industrial, and electronic soundscapes across four themed volumes.
• B. The Sign on the Door (play)
  The Sign on the Door is a 1919 stage drama by American playwright Marion Fairfax, best known for its suspenseful plot involving secrets, blackmail, and moral dilemmas.
• C. Remains to Be Seen (play)
  Remains to Be Seen is a mid-20th-century Broadway comedy play co-written by Howard Lindsay that blends murder mystery elements with lighthearted, sophisticated humor.
• D. The Man in the Glass Booth (play)
  The Man in the Glass Booth is a stage play by Robert Shaw that explores identity, guilt, and the legacy of the Holocaust through the trial of a wealthy Jewish industrialist accused of being a Nazi war criminal.
• E. Ghosts Pounding the Wall
  Ghosts Pounding the Wall is a conceptual art project by Chinese artist Xu Bing that critically engages with history, language, and cultural memory through experimental visual forms.
• F. None of above. chosen