Triple

T18186274
Position Surface form Disambiguated ID Type / Status
Subject Charles Seeger E435422 entity
Predicate notableWork P4 FINISHED
Object Systematic Musicology: Viewpoints and Methods NE NERFINISHED

How this triple was built (3 steps)

Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.

NER Named-entity recognition gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Systematic Musicology: Viewpoints and Methods | Statement: [Charles Seeger, notableWork, Systematic Musicology: Viewpoints and Methods]
NED1 Entity disambiguation (via context triple) gpt-5-mini-2025-08-07
Target entity: Systematic Musicology: Viewpoints and Methods
Context triple: [Charles Seeger, notableWork, Systematic Musicology: Viewpoints and Methods]
  • A. Formalized Music: Thought and Mathematics in Composition
    Formalized Music: Thought and Mathematics in Composition is a seminal book by composer Iannis Xenakis that explores the use of mathematical and scientific principles as the basis for musical composition.
  • B. A Generative Theory of Tonal Music
    A Generative Theory of Tonal Music is an influential 1983 book by Fred Lerdahl and Ray Jackendoff that applies generative and cognitive principles to explain how listeners mentally organize and understand tonal music.
  • C. The Structure of Music: A Listener’s Guide
    The Structure of Music: A Listener’s Guide is a music-theoretical book by composer and theorist Milton Babbitt that introduces listeners to the principles and organization of modern musical works.
  • D. The Aesthetics of Music
    The Aesthetics of Music is a philosophical work by Roger Scruton that explores the nature, meaning, and value of music within the broader tradition of aesthetics.
  • E. The Science of Musical Sound
    The Science of Musical Sound is a book by engineer and acoustics researcher John R. Pierce that explains the physical and perceptual principles underlying how music and sound are produced, transmitted, and heard.
  • F. None of above. chosen
  • G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2 Entity disambiguation (via description) gpt-5-mini-2025-08-07
Target entity: Systematic Musicology: Viewpoints and Methods
Target entity description: Systematic Musicology: Viewpoints and Methods is a foundational scholarly work by Charles Seeger that outlines theoretical frameworks and analytical approaches for the systematic study of music.
  • A. Formalized Music: Thought and Mathematics in Composition
    Formalized Music: Thought and Mathematics in Composition is a seminal book by composer Iannis Xenakis that explores the use of mathematical and scientific principles as the basis for musical composition.
  • B. A Generative Theory of Tonal Music
    A Generative Theory of Tonal Music is an influential 1983 book by Fred Lerdahl and Ray Jackendoff that applies generative and cognitive principles to explain how listeners mentally organize and understand tonal music.
  • C. The Structure of Music: A Listener’s Guide
    The Structure of Music: A Listener’s Guide is a music-theoretical book by composer and theorist Milton Babbitt that introduces listeners to the principles and organization of modern musical works.
  • D. The Aesthetics of Music
    The Aesthetics of Music is a philosophical work by Roger Scruton that explores the nature, meaning, and value of music within the broader tradition of aesthetics.
  • E. The Science of Musical Sound
    The Science of Musical Sound is a book by engineer and acoustics researcher John R. Pierce that explains the physical and perceptual principles underlying how music and sound are produced, transmitted, and heard.
  • F. None of above. chosen

Provenance (2 batches)

The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.

Step Stage Batch ID Status When
creating Elicitation batch_69d8b90c7ec081909b4694ccecb449c6 completed April 10, 2026, 8:47 a.m.
NER Named-entity recognition batch_69e4dffe9e8081909c6bff40bbd279d2 completed April 19, 2026, 2 p.m.
Created at: April 10, 2026, 10:31 a.m.