Triple
T18186273
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Charles Seeger |
E435422
|
entity |
| Predicate | notableWork |
P4
|
FINISHED |
| Object | Tradition and Experiment in the New Music |
—
|
NE NERFINISHED |
How this triple was built (3 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Tradition and Experiment in the New Music | Statement: [Charles Seeger, notableWork, Tradition and Experiment in the New Music]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Tradition and Experiment in the New Music Context triple: [Charles Seeger, notableWork, Tradition and Experiment in the New Music]
-
A.
Experimental Music: Cage and Beyond
Experimental Music: Cage and Beyond is a seminal musicological study that surveys and analyzes the development of experimental music in the 20th century, with particular emphasis on the influence of John Cage and his successors.
-
B.
An Experiment in Modern Music
An Experiment in Modern Music was a 1924 New York concert organized by Paul Whiteman that famously introduced George Gershwin’s "Rhapsody in Blue" and showcased the emerging fusion of jazz and classical music.
-
C.
The Evolution of the Art of Music
The Evolution of the Art of Music is a historical and analytical study tracing the development of Western music from its earliest forms to the late 19th century, written by English composer and musicologist Hubert Parry.
-
D.
Some Aspects of Twelve-Tone Composition
"Some Aspects of Twelve-Tone Composition" is a seminal theoretical essay by Milton Babbitt that rigorously analyzes and systematizes twelve-tone compositional techniques within a post-tonal framework.
-
E.
The Aesthetics of Music
The Aesthetics of Music is a philosophical work by Roger Scruton that explores the nature, meaning, and value of music within the broader tradition of aesthetics.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Tradition and Experiment in the New Music Target entity description: Tradition and Experiment in the New Music is an influential musicological work by Charles Seeger that explores the relationship between historical musical practices and innovative compositional techniques in modern music.
-
A.
Experimental Music: Cage and Beyond
Experimental Music: Cage and Beyond is a seminal musicological study that surveys and analyzes the development of experimental music in the 20th century, with particular emphasis on the influence of John Cage and his successors.
-
B.
An Experiment in Modern Music
An Experiment in Modern Music was a 1924 New York concert organized by Paul Whiteman that famously introduced George Gershwin’s "Rhapsody in Blue" and showcased the emerging fusion of jazz and classical music.
-
C.
The Evolution of the Art of Music
The Evolution of the Art of Music is a historical and analytical study tracing the development of Western music from its earliest forms to the late 19th century, written by English composer and musicologist Hubert Parry.
-
D.
Some Aspects of Twelve-Tone Composition
"Some Aspects of Twelve-Tone Composition" is a seminal theoretical essay by Milton Babbitt that rigorously analyzes and systematizes twelve-tone compositional techniques within a post-tonal framework.
-
E.
The Aesthetics of Music
The Aesthetics of Music is a philosophical work by Roger Scruton that explores the nature, meaning, and value of music within the broader tradition of aesthetics.
- F. None of above. chosen
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69d8b90c7ec081909b4694ccecb449c6 |
completed | April 10, 2026, 8:47 a.m. |
| NER | Named-entity recognition | batch_69e4dffe9e8081909c6bff40bbd279d2 |
completed | April 19, 2026, 2 p.m. |
Created at: April 10, 2026, 10:31 a.m.