Triple
T18078543
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | David Raksin |
E432623
|
entity |
| Predicate | notableWork |
P4
|
FINISHED |
| Object | The Redeemer (television score) |
—
|
NE NERFINISHED |
How this triple was built (3 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: The Redeemer (television score) | Statement: [David Raksin, notableWork, The Redeemer (television score)]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: The Redeemer (television score) Context triple: [David Raksin, notableWork, The Redeemer (television score)]
-
A.
Redemption Road (score)
Redemption Road (score) is a musical soundtrack composed by Tree Adams, known for its atmospheric and emotionally driven themes that accompany the film or series of the same name.
-
B.
The Scarlet and the Black (TV film score)
The Scarlet and the Black (TV film score) is a dramatic orchestral soundtrack composed by Lee Holdridge for the 1983 television film about a Vatican priest’s efforts to save Allied soldiers in Nazi-occupied Rome.
-
C.
The Exorcist (TV series score)
The Exorcist (TV series score) is a dark, atmospheric musical soundtrack composed for the television adaptation of the classic horror franchise, blending ominous orchestration with modern sound design to heighten the series’ tension and psychological terror.
-
D.
Salem (TV series score)
Salem (TV series score) is the dark, atmospheric musical soundtrack composed by Tyler Bates for the supernatural horror television series "Salem."
-
E.
The Believers (film score)
The Believers (film score) is a dark, atmospheric musical soundtrack composed by J. Peter Robinson for the 1987 horror-thriller film "The Believers."
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: The Redeemer (television score) Target entity description: The Redeemer is a television score composed by acclaimed American film and television composer David Raksin, known for his expressive, richly orchestrated music.
-
A.
Redemption Road (score)
Redemption Road (score) is a musical soundtrack composed by Tree Adams, known for its atmospheric and emotionally driven themes that accompany the film or series of the same name.
-
B.
The Scarlet and the Black (TV film score)
The Scarlet and the Black (TV film score) is a dramatic orchestral soundtrack composed by Lee Holdridge for the 1983 television film about a Vatican priest’s efforts to save Allied soldiers in Nazi-occupied Rome.
-
C.
The Exorcist (TV series score)
The Exorcist (TV series score) is a dark, atmospheric musical soundtrack composed for the television adaptation of the classic horror franchise, blending ominous orchestration with modern sound design to heighten the series’ tension and psychological terror.
-
D.
Salem (TV series score)
Salem (TV series score) is the dark, atmospheric musical soundtrack composed by Tyler Bates for the supernatural horror television series "Salem."
-
E.
The Believers (film score)
The Believers (film score) is a dark, atmospheric musical soundtrack composed by J. Peter Robinson for the 1987 horror-thriller film "The Believers."
- F. None of above. chosen
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69d8b9070cac81909fa9473fb1c3f1c7 |
completed | April 10, 2026, 8:47 a.m. |
| NER | Named-entity recognition | batch_69e4d9f6a85481909894c39c8be98d5d |
completed | April 19, 2026, 1:34 p.m. |
Created at: April 10, 2026, 10:27 a.m.