Triple
T18078538
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | David Raksin |
E432623
|
entity |
| Predicate | notableWork |
P4
|
FINISHED |
| Object | The Bad and the Beautiful (film score) |
—
|
NE NERFINISHED |
How this triple was built (3 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: The Bad and the Beautiful (film score) | Statement: [David Raksin, notableWork, The Bad and the Beautiful (film score)]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: The Bad and the Beautiful (film score) Context triple: [David Raksin, notableWork, The Bad and the Beautiful (film score)]
-
A.
The Heiress (film score)
The Heiress (film score) is Aaron Copland’s acclaimed 1949 orchestral soundtrack for the film adaptation of Henry James’s "Washington Square," noted for its emotionally nuanced, romantic yet modernist style.
-
B.
American Beauty (film score)
American Beauty (film score) is a critically acclaimed, minimalist and atmospheric film soundtrack composed by Thomas Newman for the 1999 drama film "American Beauty."
-
C.
The Big Sleep (film score)
The Big Sleep (film score) is a 1946 film soundtrack composed by Adolph Deutsch that underscores Howard Hawks’ classic film noir adaptation of Raymond Chandler’s novel.
-
D.
Biutiful (film score)
Biutiful (film score) is the atmospheric, emotionally charged musical soundtrack composed by Gustavo Santaolalla for Alejandro González Iñárritu’s 2010 drama film "Biutiful."
-
E.
The Man Who Knew Too Much (film score)
The Man Who Knew Too Much (film score) is a notable film soundtrack composed by Arthur Benjamin for Alfred Hitchcock’s thriller, best known for its dramatic orchestral music featured in the climactic concert hall sequence.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: The Bad and the Beautiful (film score) Target entity description: The Bad and the Beautiful (film score) is a lush, emotionally nuanced orchestral soundtrack by composer David Raksin for the 1952 Hollywood drama film of the same name.
-
A.
The Heiress (film score)
The Heiress (film score) is Aaron Copland’s acclaimed 1949 orchestral soundtrack for the film adaptation of Henry James’s "Washington Square," noted for its emotionally nuanced, romantic yet modernist style.
-
B.
American Beauty (film score)
American Beauty (film score) is a critically acclaimed, minimalist and atmospheric film soundtrack composed by Thomas Newman for the 1999 drama film "American Beauty."
-
C.
The Big Sleep (film score)
The Big Sleep (film score) is a 1946 film soundtrack composed by Adolph Deutsch that underscores Howard Hawks’ classic film noir adaptation of Raymond Chandler’s novel.
-
D.
Biutiful (film score)
Biutiful (film score) is the atmospheric, emotionally charged musical soundtrack composed by Gustavo Santaolalla for Alejandro González Iñárritu’s 2010 drama film "Biutiful."
-
E.
The Man Who Knew Too Much (film score)
The Man Who Knew Too Much (film score) is a notable film soundtrack composed by Arthur Benjamin for Alfred Hitchcock’s thriller, best known for its dramatic orchestral music featured in the climactic concert hall sequence.
- F. None of above. chosen
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69d8b9070cac81909fa9473fb1c3f1c7 |
completed | April 10, 2026, 8:47 a.m. |
| NER | Named-entity recognition | batch_69e4d9f6a85481909894c39c8be98d5d |
completed | April 19, 2026, 1:34 p.m. |
Created at: April 10, 2026, 10:27 a.m.