Triple
T18021544
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Alexandra Leaving |
E431127
|
entity |
| Predicate | basedOn |
P98
|
FINISHED |
| Object | The God Abandons Antony |
—
|
NE NERFINISHED |
How this triple was built (3 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: The God Abandons Antony | Statement: [Alexandra Leaving, basedOn, The God Abandons Antony]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: The God Abandons Antony Context triple: [Alexandra Leaving, basedOn, The God Abandons Antony]
-
A.
The Banquet of Cleopatra
The Banquet of Cleopatra is an 18th-century history painting by Jean-François de Troy depicting the legendary feast where Cleopatra dissolves a priceless pearl in vinegar to win a wager with Mark Antony.
-
B.
The Banquet of Cleopatra
The Banquet of Cleopatra is a grand 18th-century history painting by Giovanni Battista Tiepolo depicting the legendary meeting and extravagant wager between Cleopatra and Mark Antony.
-
C.
The Banquet of Cleopatra
The Banquet of Cleopatra is a late 16th-century Mannerist history painting by Dutch artist Cornelis van Haarlem depicting the legendary feast where Cleopatra dissolves a pearl in vinegar to impress Mark Antony.
-
D.
Life of Mark Antony
Life of Mark Antony is one of Plutarch’s biographical essays portraying the character, career, and downfall of the Roman general and triumvir Mark Antony.
-
E.
Octavia (pseudo-Senecan tragedy)
Octavia (pseudo-Senecan tragedy) is a first-century Roman historical drama, traditionally attributed to Seneca, that portrays the political and domestic turmoil surrounding Emperor Nero and his repudiated wife Octavia.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: The God Abandons Antony Target entity description: "The God Abandons Antony" is a 1911 poem by Constantine P. Cavafy that reflects on fate, loss, and dignity in the face of inevitable defeat, using the figure of Mark Antony as its central symbol.
-
A.
The Banquet of Cleopatra
The Banquet of Cleopatra is an 18th-century history painting by Jean-François de Troy depicting the legendary feast where Cleopatra dissolves a priceless pearl in vinegar to win a wager with Mark Antony.
-
B.
The Banquet of Cleopatra
The Banquet of Cleopatra is a late 16th-century Mannerist history painting by Dutch artist Cornelis van Haarlem depicting the legendary feast where Cleopatra dissolves a pearl in vinegar to impress Mark Antony.
-
C.
The Banquet of Cleopatra
The Banquet of Cleopatra is a grand 18th-century history painting by Giovanni Battista Tiepolo depicting the legendary meeting and extravagant wager between Cleopatra and Mark Antony.
-
D.
Life of Mark Antony
Life of Mark Antony is one of Plutarch’s biographical essays portraying the character, career, and downfall of the Roman general and triumvir Mark Antony.
-
E.
Octavia (pseudo-Senecan tragedy)
Octavia (pseudo-Senecan tragedy) is a first-century Roman historical drama, traditionally attributed to Seneca, that portrays the political and domestic turmoil surrounding Emperor Nero and his repudiated wife Octavia.
- F. None of above. chosen
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69d8b904530081908bf341d842464856 |
completed | April 10, 2026, 8:47 a.m. |
| NER | Named-entity recognition | batch_69e4b9c299c48190b0cceecf77cb6de9 |
completed | April 19, 2026, 11:17 a.m. |
Created at: April 10, 2026, 10:24 a.m.