Triple

T18020674
Position Surface form Disambiguated ID Type / Status
Subject Alfred H. Barr Jr. E431108 entity
Predicate curated P5107 FINISHED
Object Fantastic Art, Dada, Surrealism (exhibition at MoMA) NE NERFINISHED

How this triple was built (3 steps)

Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.

NER Named-entity recognition gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Fantastic Art, Dada, Surrealism (exhibition at MoMA) | Statement: [Alfred H. Barr Jr., curated, Fantastic Art, Dada, Surrealism (exhibition at MoMA)]
NED1 Entity disambiguation (via context triple) gpt-5-mini-2025-08-07
Target entity: Fantastic Art, Dada, Surrealism (exhibition at MoMA)
Context triple: [Alfred H. Barr Jr., curated, Fantastic Art, Dada, Surrealism (exhibition at MoMA)]
  • A. New York Dada
    New York Dada was an early 20th-century avant-garde art movement centered in New York City that challenged traditional aesthetics through radical experimentation, irony, and anti-art practices.
  • B. Dada Panorama
    Dada Panorama is a major photomontage artwork by German Dada artist Hannah Höch, exemplifying her experimental collage techniques and critical engagement with Weimar-era culture.
  • C. Women, the New York School, and Other True Abstractions
    Women, the New York School, and Other True Abstractions is a critical study by Maggie Nelson that examines the overlooked contributions of women poets and artists associated with the New York School.
  • D. Exposition Internationale du Surréalisme
    Exposition Internationale du Surréalisme was a landmark 1938 Paris exhibition that dramatically showcased Surrealist art and ideas through immersive, dreamlike installations and performances.
  • E. New Documents (Museum of Modern Art, 1967)
    New Documents (Museum of Modern Art, 1967) was a landmark photography exhibition at MoMA that introduced a new, more personal and observational documentary style through the work of Lee Friedlander, Garry Winogrand, and Diane Arbus.
  • F. None of above. chosen
  • G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2 Entity disambiguation (via description) gpt-5-mini-2025-08-07
Target entity: Fantastic Art, Dada, Surrealism (exhibition at MoMA)
Target entity description: Fantastic Art, Dada, Surrealism (exhibition at MoMA) was a landmark 1936–37 Museum of Modern Art exhibition that introduced American audiences to avant-garde movements such as Dada and Surrealism through a wide-ranging display of modern and fantastical art.
  • A. New York Dada
    New York Dada was an early 20th-century avant-garde art movement centered in New York City that challenged traditional aesthetics through radical experimentation, irony, and anti-art practices.
  • B. Dada Panorama
    Dada Panorama is a major photomontage artwork by German Dada artist Hannah Höch, exemplifying her experimental collage techniques and critical engagement with Weimar-era culture.
  • C. Women, the New York School, and Other True Abstractions
    Women, the New York School, and Other True Abstractions is a critical study by Maggie Nelson that examines the overlooked contributions of women poets and artists associated with the New York School.
  • D. Exposition Internationale du Surréalisme
    Exposition Internationale du Surréalisme was a landmark 1938 Paris exhibition that dramatically showcased Surrealist art and ideas through immersive, dreamlike installations and performances.
  • E. New Documents (Museum of Modern Art, 1967)
    New Documents (Museum of Modern Art, 1967) was a landmark photography exhibition at MoMA that introduced a new, more personal and observational documentary style through the work of Lee Friedlander, Garry Winogrand, and Diane Arbus.
  • F. None of above. chosen

Provenance (2 batches)

The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.

Step Stage Batch ID Status When
creating Elicitation batch_69d8b904530081908bf341d842464856 completed April 10, 2026, 8:47 a.m.
NER Named-entity recognition batch_69e4b9c1c5f88190a059ce4f86f7ed36 completed April 19, 2026, 11:17 a.m.
Created at: April 10, 2026, 10:24 a.m.