Triple
T17682355
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Palatine Gallery |
E440799
|
entity |
| Predicate | hasWork |
P6260
|
FINISHED |
| Object | The Vision of Saint Thomas Aquinas (Sassetta) |
—
|
NE NERFINISHED |
How this triple was built (3 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: The Vision of Saint Thomas Aquinas (Sassetta) | Statement: [Palatine Gallery, hasWork, The Vision of Saint Thomas Aquinas (Sassetta)]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: The Vision of Saint Thomas Aquinas (Sassetta) Context triple: [Palatine Gallery, hasWork, The Vision of Saint Thomas Aquinas (Sassetta)]
-
A.
The Apotheosis of Saint Thomas Aquinas
The Apotheosis of Saint Thomas Aquinas is a Baroque religious painting by Spanish artist Francisco de Zurbarán that glorifies the medieval theologian’s elevation to heavenly glory.
-
B.
Portinari Altarpiece
The Portinari Altarpiece is a monumental 15th-century Flemish triptych renowned for its detailed realism, complex symbolism, and influential role in spreading Northern Renaissance painting techniques to Italy.
-
C.
Baroncelli Polyptych
The Baroncelli Polyptych is a 14th-century multi-panel altarpiece by Italian painter Taddeo Gaddi, renowned for its richly detailed Gothic style and religious imagery.
-
D.
Columba Altarpiece
The Columba Altarpiece is a mid-15th-century triptych by Early Netherlandish painter Rogier van der Weyden, renowned for its detailed, emotionally expressive depictions of scenes from the life of the Virgin Mary.
-
E.
Frari Triptych
The Frari Triptych is a renowned Renaissance altarpiece by Giovanni Bellini, celebrated for its luminous color, serene sacred figures, and harmonious composition in the Basilica di Santa Maria Gloriosa dei Frari in Venice.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: The Vision of Saint Thomas Aquinas (Sassetta) Target entity description: The Vision of Saint Thomas Aquinas is a 15th-century altarpiece panel by the Italian painter Sassetta, depicting the Dominican theologian receiving a divine revelation in a refined, lyrical Gothic style.
-
A.
The Apotheosis of Saint Thomas Aquinas
The Apotheosis of Saint Thomas Aquinas is a Baroque religious painting by Spanish artist Francisco de Zurbarán that glorifies the medieval theologian’s elevation to heavenly glory.
-
B.
Portinari Altarpiece
The Portinari Altarpiece is a monumental 15th-century Flemish triptych renowned for its detailed realism, complex symbolism, and influential role in spreading Northern Renaissance painting techniques to Italy.
-
C.
Baroncelli Polyptych
The Baroncelli Polyptych is a 14th-century multi-panel altarpiece by Italian painter Taddeo Gaddi, renowned for its richly detailed Gothic style and religious imagery.
-
D.
Columba Altarpiece
The Columba Altarpiece is a mid-15th-century triptych by Early Netherlandish painter Rogier van der Weyden, renowned for its detailed, emotionally expressive depictions of scenes from the life of the Virgin Mary.
-
E.
Frari Triptych
The Frari Triptych is a renowned Renaissance altarpiece by Giovanni Bellini, celebrated for its luminous color, serene sacred figures, and harmonious composition in the Basilica di Santa Maria Gloriosa dei Frari in Venice.
- F. None of above. chosen
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69d8b9e940b081908b862bb0e6e89b0d |
completed | April 10, 2026, 8:50 a.m. |
| NER | Named-entity recognition | batch_69e4704514d481908aad4172fa930e6b |
completed | April 19, 2026, 6:03 a.m. |
Created at: April 10, 2026, 10:02 a.m.