Triple

T17571558
Position Surface form Disambiguated ID Type / Status
Subject Sherrill Milnes E427950 entity
Predicate performedRole P1668 FINISHED
Object Figaro in Rossini's Il barbiere di Siviglia NE NERFINISHED

How this triple was built (3 steps)

Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.

NER Named-entity recognition gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Figaro in Rossini's Il barbiere di Siviglia | Statement: [Sherrill Milnes, performedRole, Figaro in Rossini's Il barbiere di Siviglia]
NED1 Entity disambiguation (via context triple) gpt-5-mini-2025-08-07
Target entity: Figaro in Rossini's Il barbiere di Siviglia
Context triple: [Sherrill Milnes, performedRole, Figaro in Rossini's Il barbiere di Siviglia]
  • A. Figaro in Mozart’s Le nozze di Figaro
    Figaro in Mozart’s Le nozze di Figaro is the clever, quick-witted valet at the center of Mozart and Da Ponte’s comic opera, whose schemes drive the plot’s intricate romantic and social intrigues.
  • B. Don Basilio in Rossini's "The Barber of Seville"
    Don Basilio in Rossini's "The Barber of Seville" is a scheming, hypocritical music teacher and clergyman whose comic plotting and famous slander aria drive much of the opera’s intrigue.
  • C. Countess Almaviva in Mozart’s "Le nozze di Figaro"
    Countess Almaviva in Mozart’s "Le nozze di Figaro" is a noblewoman and central soprano role whose emotional depth, dignity, and forgiveness anchor the opera’s blend of comedy and social critique.
  • D. Falling for Figaro
    Falling for Figaro is a romantic comedy film set in the world of opera, following an aspiring singer who leaves her corporate job to train for a prestigious singing competition.
  • E. Count Almaviva in Il barbiere di Siviglia
    Count Almaviva in Il barbiere di Siviglia is the charming young nobleman who, in Rossini’s comic opera, disguises himself in various guises to win the love of Rosina with the help of the barber Figaro.
  • F. None of above. chosen
  • G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2 Entity disambiguation (via description) gpt-5-mini-2025-08-07
Target entity: Figaro in Rossini's Il barbiere di Siviglia
Target entity description: Figaro in Rossini's Il barbiere di Siviglia is the quick-witted Seville barber whose scheming and resourcefulness drive the comic plot of Rossini’s famous opera.
  • A. Figaro in Mozart’s Le nozze di Figaro
    Figaro in Mozart’s Le nozze di Figaro is the clever, quick-witted valet at the center of Mozart and Da Ponte’s comic opera, whose schemes drive the plot’s intricate romantic and social intrigues.
  • B. Don Basilio in Rossini's "The Barber of Seville"
    Don Basilio in Rossini's "The Barber of Seville" is a scheming, hypocritical music teacher and clergyman whose comic plotting and famous slander aria drive much of the opera’s intrigue.
  • C. Countess Almaviva in Mozart’s "Le nozze di Figaro"
    Countess Almaviva in Mozart’s "Le nozze di Figaro" is a noblewoman and central soprano role whose emotional depth, dignity, and forgiveness anchor the opera’s blend of comedy and social critique.
  • D. Falling for Figaro
    Falling for Figaro is a romantic comedy film set in the world of opera, following an aspiring singer who leaves her corporate job to train for a prestigious singing competition.
  • E. Count Almaviva in Il barbiere di Siviglia
    Count Almaviva in Il barbiere di Siviglia is the charming young nobleman who, in Rossini’s comic opera, disguises himself in various guises to win the love of Rosina with the help of the barber Figaro.
  • F. None of above. chosen

Provenance (2 batches)

The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.

Step Stage Batch ID Status When
creating Elicitation batch_69d889e0385081908a04b66f4dd4bd0d completed April 10, 2026, 5:25 a.m.
NER Named-entity recognition batch_69e45930b0748190b55b95c523c47460 completed April 19, 2026, 4:25 a.m.
Created at: April 10, 2026, 5:50 a.m.