Triple
T16779481
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Michal |
E407818
|
entity |
| Predicate | appearsInAct |
P795
|
FINISHED |
| Object |
Act I
Act I is the opening section of a play or opera, establishing the main characters, setting, and initial conflicts that drive the story.
|
E1013678
|
NE FINISHED |
How this triple was built (4 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Act I | Statement: [Michal, appearsInAct, Act I]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Act I Context triple: [Michal, appearsInAct, Act I]
-
A.
Act I
Act I is the opening section of Edward Albee’s Pulitzer Prize-winning play "A Delicate Balance," in which the central family tensions and themes of existential anxiety are first established.
-
B.
Act I
Act I is the opening act of Bruce Norris's Pulitzer Prize–winning play "Clybourne Park," which sets up the central conflicts about race, property, and gentrification in a 1950s Chicago neighborhood.
-
C.
Act I
Act I is the opening section of the 19th-century stage comedy "Our American Cousin," in which the main characters and central comedic conflicts are first introduced.
-
D.
Act I
Act I is the opening section of Noël Coward’s stage play "Design for Living," introducing the central characters and their unconventional romantic entanglements.
-
E.
Act I
Act I is the opening act of Henrik Ibsen’s play "A Doll’s House," where the main characters and central conflicts are first introduced.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NEDg
Description generation
gpt-5.1
Instruction
Generate a one-sentence description of the target entity. You are given a context triple in the form (subject, predicate, object), where the object is the target entity. # Instructions Use the triple to infer relevant information about the entity. Describe the entity based on what is most defining, well-known. Avoid repeating the information from the triple, unless really essential. # Response Format Return only the sentence: "Description: [one-sentence description of the target entity]"
Input
Entity: Act I Triple: [Michal, appearsInAct, Act I]
Generated description
Act I is the opening section of a play or opera, establishing the main characters, setting, and initial conflicts that drive the story.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Act I Target entity description: Act I is the opening section of a play or opera, establishing the main characters, setting, and initial conflicts that drive the story.
-
A.
Act I
chosen
Act I is the opening section of a stage musical or play, where the main characters, conflicts, and setting are first introduced and developed.
-
B.
Act I
Act I is the opening act of Henrik Ibsen’s play "A Doll’s House," where the main characters and central conflicts are first introduced.
-
C.
Act I
Act I is the opening section of the ballet "Bacchus et Ariane," introducing its characters, themes, and initial dramatic developments.
-
D.
Act I
Act I is the opening section of a stage work—likely an opera or play—in which the character Marzelline is introduced and begins her role in the story.
-
E.
Act I
Act I is the opening section of Johann Wolfgang von Goethe’s drama "Götz von Berlichingen," introducing the main characters, conflicts, and historical setting of the play.
- F. None of above.
Provenance (5 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69d8839270588190886720d9519bbf8f |
completed | April 10, 2026, 4:58 a.m. |
| NER | Named-entity recognition | batch_69e3b21401b881909bbbc7382e851a90 |
completed | April 18, 2026, 4:32 p.m. |
| NED1 | Entity disambiguation (via context triple) | batch_6a00ab00cf708190a2562fa14d72a4df |
completed | May 10, 2026, 3:57 p.m. |
| NEDg | Description generation | batch_6a00ad66a9a88190983eee72f9d23e37 |
completed | May 10, 2026, 4:08 p.m. |
| NED2 | Entity disambiguation (via description) | batch_6a00addf7674819084f5755c2dacc741 |
completed | May 10, 2026, 4:10 p.m. |
Created at: April 10, 2026, 5:22 a.m.