Triple
T16405891
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Terence Fisher |
E398426
|
entity |
| Predicate | directed |
P7373
|
FINISHED |
| Object | The Gorgon |
E887316
|
NE FINISHED |
How this triple was built (2 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: The Gorgon | Statement: [Terence Fisher, directed, The Gorgon]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: The Gorgon Context triple: [Terence Fisher, directed, The Gorgon]
-
A.
The Gorgon
chosen
The Gorgon is a 1964 British horror film from Hammer Films that blends Gothic atmosphere with Greek mythology, centering on a deadly monster turning victims to stone in a remote European village.
-
B.
The Gaze of the Gorgon
The Gaze of the Gorgon is a 1992 television poem by Tony Harrison that blends classical myth with modern history to explore themes of war, fascism, and the power of images.
-
C.
Gorgon
Gorgon is a powerful Inhuman warrior known for his superhuman strength and seismic, shockwave-generating hooves, often serving as a key member of the Inhuman Royal Family.
-
D.
Gorgon
Gorgon is a monstrous figure from Greek mythology, most famously represented by Medusa, whose gaze could turn onlookers to stone.
-
E.
The Minotaur
The Minotaur is a famous 1885 oil painting by George Frederic Watts that symbolically portrays the brutality of human nature and Victorian anxieties about exploitation.
- F. None of above.
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Provenance (3 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69d87f2950248190bc8ad9b9bebdc8c8 |
completed | April 10, 2026, 4:40 a.m. |
| NER | Named-entity recognition | batch_69e327d2b4e48190b7153f198639e9cd |
completed | April 18, 2026, 6:42 a.m. |
| NED1 | Entity disambiguation (via context triple) | batch_6a003c62614c8190acd6d211cab1be11 |
completed | May 10, 2026, 8:05 a.m. |
Created at: April 10, 2026, 5:09 a.m.