Triple
T16147120
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Hasan Minhaj |
E391811
|
entity |
| Predicate | notableWork |
P4
|
FINISHED |
| Object | Homecoming King |
E787867
|
NE FINISHED |
How this triple was built (2 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Homecoming King | Statement: [Hasan Minhaj, notableWork, Homecoming King]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Homecoming King Context triple: [Hasan Minhaj, notableWork, Homecoming King]
-
A.
Homecoming King
chosen
Homecoming King is Hasan Minhaj’s critically acclaimed stand-up comedy special that blends personal storytelling about his Indian-American, Muslim upbringing with sharp social and political commentary.
-
B.
Homecoming
Homecoming is a critically acclaimed Beyoncé concert film and live album that documents her historic 2018 Coachella performance and its creative process.
-
C.
Homecoming
"Homecoming" is a historical mystery novel by Australian author Kate Morton that intertwines past and present as a woman uncovers long-buried family secrets surrounding a tragic event.
-
D.
Homecoming
Homecoming is a collection of essays by Kenyan writer Ngũgĩ wa Thiong’o that explores themes of decolonization, African literature, and cultural identity.
-
E.
Homecoming
"Homecoming" is the first play in Eugene O’Neill’s trilogy *Mourning Becomes Electra*, a modern retelling of the Oresteia set in post–Civil War New England.
- F. None of above.
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Provenance (3 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69d87f1c65e48190aa2b4c472e9bafc4 |
completed | April 10, 2026, 4:39 a.m. |
| NER | Named-entity recognition | batch_69e21d947e68819081b4b7c757ce71b6 |
completed | April 17, 2026, 11:46 a.m. |
| NED1 | Entity disambiguation (via context triple) | batch_69fff7a7dc3481909f933acd72d6feff |
completed | May 10, 2026, 3:12 a.m. |
Created at: April 10, 2026, 5:01 a.m.