Triple
T15337761
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Bruno Taut |
E366710
|
entity |
| Predicate | participantIn |
P149
|
FINISHED |
| Object | German Expressionist movement |
E797394
|
NE FINISHED |
How this triple was built (2 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: German Expressionist movement | Statement: [Bruno Taut, participantIn, German Expressionist movement]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: German Expressionist movement Context triple: [Bruno Taut, participantIn, German Expressionist movement]
-
A.
German Expressionists
chosen
German Expressionists were a group of early 20th-century artists in Germany who used bold colors, distorted forms, and emotional intensity to critique modern society and convey inner psychological states.
-
B.
German Expressionist cinema
German Expressionist cinema is a stylistically distinctive early 20th-century German film movement known for its stark lighting, distorted sets, and psychologically intense narratives that explore madness, fear, and social unrest.
-
C.
Austrian Expressionism
Austrian Expressionism was an early 20th-century modern art movement in Austria characterized by emotionally charged, often psychologically intense painting and graphic work by artists such as Egon Schiele and Oskar Kokoschka.
-
D.
German Impressionism
German Impressionism was a late 19th- and early 20th-century art movement in Germany that adapted the light, color, and brushwork of French Impressionism to local themes and sensibilities.
-
E.
Neue Sachlichkeit
Neue Sachlichkeit was a German art movement of the 1920s that rejected Expressionism in favor of a sober, realistic, and often socially critical depiction of contemporary life.
- F. None of above.
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Provenance (3 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69d85a1355608190a6673ddb67231d54 |
completed | April 10, 2026, 2:01 a.m. |
| NER | Named-entity recognition | batch_69e03e11b22c81908280efe65acd5454 |
completed | April 16, 2026, 1:40 a.m. |
| NED1 | Entity disambiguation (via context triple) | batch_69ff01f2ee9c819080fce24ed13a07c7 |
completed | May 9, 2026, 9:44 a.m. |
Created at: April 10, 2026, 3:17 a.m.