Triple
T15046758
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Come Over |
E379247
|
entity |
| Predicate | hasRemixOrVersion |
P9639
|
FINISHED |
| Object |
Come Over (feat. Sean Paul)
"Come Over (feat. Sean Paul)" is a remix of Estelle's R&B track "Come Over," featuring Jamaican dancehall artist Sean Paul adding a reggae-infused verse.
|
E379247
|
NE FINISHED |
How this triple was built (4 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Come Over (feat. Sean Paul) | Statement: [Come Over, hasRemixOrVersion, Come Over (feat. Sean Paul)]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Come Over (feat. Sean Paul) Context triple: [Come Over, hasRemixOrVersion, Come Over (feat. Sean Paul)]
-
A.
Come Over
"Come Over" is a song featured on the album *The Kids Are Alright* by the American rock band The Who.
-
B.
Come Over
"Come Over" is a country ballad by Kenny Chesney about the emotional struggle of ending a relationship, known for its melancholic tone and chart-topping success.
-
C.
Come Over
"Come Over" is a song featured on the album "Necessary Evil" by American singer-songwriter Deborah Harry.
-
D.
Come Over
"Come Over" is an R&B song by Aaliyah, known for its smooth, sensual production and emotive vocals, later released posthumously as a single.
-
E.
Come Over
"Come Over" is a song by the American rock band The Killers from their compilation album "Sawdust."
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NEDg
Description generation
gpt-5.1
Instruction
Generate a one-sentence description of the target entity. You are given a context triple in the form (subject, predicate, object), where the object is the target entity. # Instructions Use the triple to infer relevant information about the entity. Describe the entity based on what is most defining, well-known. Avoid repeating the information from the triple, unless really essential. # Response Format Return only the sentence: "Description: [one-sentence description of the target entity]"
Input
Entity: Come Over (feat. Sean Paul) Triple: [Come Over, hasRemixOrVersion, Come Over (feat. Sean Paul)]
Generated description
"Come Over (feat. Sean Paul)" is a remix of Estelle's R&B track "Come Over," featuring Jamaican dancehall artist Sean Paul adding a reggae-infused verse.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Come Over (feat. Sean Paul) Target entity description: "Come Over (feat. Sean Paul)" is a remix of Estelle's R&B track "Come Over," featuring Jamaican dancehall artist Sean Paul adding a reggae-infused verse.
-
A.
Come Over
"Come Over" is a song featured on the album *The Kids Are Alright* by the American rock band The Who.
-
B.
Come Over
"Come Over" is a country ballad by Kenny Chesney about the emotional struggle of ending a relationship, known for its melancholic tone and chart-topping success.
-
C.
Come Over
"Come Over" is a song featured on the album "Necessary Evil" by American singer-songwriter Deborah Harry.
-
D.
Come Over
"Come Over" is an R&B song by Aaliyah, known for its smooth, sensual production and emotive vocals, later released posthumously as a single.
-
E.
Come Over
chosen
"Come Over" is an R&B song by British singer Estelle that showcases her smooth vocals and romantic, laid-back style.
- F. None of above.
Provenance (5 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69d85cd64d108190853797a95c11cc45 |
completed | April 10, 2026, 2:13 a.m. |
| NER | Named-entity recognition | batch_69deda8e64e48190873104a02a676ff3 |
completed | April 15, 2026, 12:23 a.m. |
| NED1 | Entity disambiguation (via context triple) | batch_69fe9de73614819098b7a88624407d0e |
completed | May 9, 2026, 2:37 a.m. |
| NEDg | Description generation | batch_69fe9f49b1108190a453ef3805006e6c |
completed | May 9, 2026, 2:43 a.m. |
| NED2 | Entity disambiguation (via description) | batch_69fe9fb79bd08190b22f92df751d0e58 |
completed | May 9, 2026, 2:45 a.m. |
Created at: April 10, 2026, 3 a.m.