Triple
T14891696
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Saul Bass |
E359767
|
entity |
| Predicate | fullName |
P16
|
FINISHED |
| Object | Saul Bass |
E359767
|
NE FINISHED |
How this triple was built (2 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Saul Bass | Statement: [Saul Bass, fullName, Saul Bass]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Saul Bass Context triple: [Saul Bass, fullName, Saul Bass]
-
A.
Saul Bass
chosen
Saul Bass was an influential American graphic designer and filmmaker renowned for his iconic film title sequences and poster designs for major Hollywood movies.
-
B.
Paul Rand
Paul Rand was a pioneering American graphic designer renowned for creating iconic corporate logos and shaping modern visual identity design.
-
C.
Milton Glaser
Milton Glaser was an influential American graphic designer best known for iconic works such as the “I ❤ NY” logo and the psychedelic Bob Dylan poster.
-
D.
Orry-Kelly
Orry-Kelly was an acclaimed Australian-born Hollywood costume designer renowned for his work on classic films such as "Some Like It Hot" and "An American in Paris."
-
E.
Roy Sebern
Roy Sebern was an American graphic artist best known for designing the iconic "Further" bus sign for Ken Kesey’s Merry Pranksters during the 1960s counterculture era.
- F. None of above.
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Provenance (3 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69d827980cbc8190a0c569ae3940a1d9 |
completed | April 9, 2026, 10:26 p.m. |
| NER | Named-entity recognition | batch_69ded5f883288190af602633fa7d6860 |
completed | April 15, 2026, 12:04 a.m. |
| NED1 | Entity disambiguation (via context triple) | batch_69fe6b65ac5c81908691de1161d07de0 |
completed | May 8, 2026, 11:01 p.m. |
Created at: April 10, 2026, 2:10 a.m.