Triple
T14465794
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Max Beckmann |
E358703
|
entity |
| Predicate | movement |
P81
|
FINISHED |
| Object | New Objectivity |
E152036
|
NE FINISHED |
How this triple was built (2 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: New Objectivity | Statement: [Max Beckmann, movement, New Objectivity]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: New Objectivity Context triple: [Max Beckmann, movement, New Objectivity]
-
A.
New Objectivity
chosen
New Objectivity was a German art and cultural movement of the 1920s that rejected Expressionism in favor of a sober, realistic, and socially critical style.
-
B.
The Philosophy of Modern Art
The Philosophy of Modern Art is a critical study by Herbert Read that explores the development, principles, and aesthetic theories underlying modern art movements.
-
C.
The Isms of Art
The Isms of Art is a seminal avant-garde art book by El Lissitzky that surveys and visually interprets the major modern art movements of the early 20th century.
-
D.
Week of Modern Art
The Week of Modern Art was a landmark 1922 cultural festival in São Paulo that revolutionized Brazilian literature, visual arts, and music by introducing and consolidating modernist ideas.
-
E.
Art for Art’s Sake
"Art for Art’s Sake" is a notable musical number from Marc Blitzstein’s 1937 pro-labor musical "The Cradle Will Rock," reflecting its satirical and socially critical themes.
- F. None of above.
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Provenance (3 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69d827966698819082e140837737501d |
completed | April 9, 2026, 10:26 p.m. |
| NER | Named-entity recognition | batch_69de91f6d4c08190a12e9a5901ee3508 |
completed | April 14, 2026, 7:13 p.m. |
| NED1 | Entity disambiguation (via context triple) | batch_69fd6499c7188190a79411b471cfa7d4 |
completed | May 8, 2026, 4:20 a.m. |
Created at: April 10, 2026, 1:19 a.m.