Triple

T14443673
Position Surface form Disambiguated ID Type / Status
Subject Benedetto Antelami E358148 entity
Predicate notableWork P4 FINISHED
Object Deposition from the Cross (Parma Cathedral) E356812 NE FINISHED

How this triple was built (2 steps)

Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.

NER Named-entity recognition gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Deposition from the Cross (Parma Cathedral) | Statement: [Benedetto Antelami, notableWork, Deposition from the Cross (Parma Cathedral)]
NED1 Entity disambiguation (via context triple) gpt-5-mini-2025-08-07
Target entity: Deposition from the Cross (Parma Cathedral)
Context triple: [Benedetto Antelami, notableWork, Deposition from the Cross (Parma Cathedral)]
  • A. The Deposition from the Cross (Florence)
    The Deposition from the Cross (Florence) is a renowned early Renaissance altarpiece by Fra Angelico depicting Christ’s body being taken down from the cross with serene, devotional clarity and luminous color.
  • B. The Deposition from the Cross (Volterra)
    The Deposition from the Cross (Volterra) is a striking Mannerist altarpiece by Rosso Fiorentino, renowned for its vivid colors, elongated figures, and emotionally intense depiction of Christ’s removal from the cross.
  • C. Deposition from the Cross by Benedetto Antelami chosen
    Deposition from the Cross by Benedetto Antelami is a renowned late 12th-century Romanesque marble relief depicting Christ’s descent from the cross, celebrated for its expressive figures and innovative spatial composition.
  • D. The Deposition from the Cross (Pontormo)
    The Deposition from the Cross is a celebrated altarpiece by Jacopo Pontormo that exemplifies Mannerist painting through its elongated figures, unusual spatial composition, and intense emotional expressiveness.
  • E. Crucifixion (Pisa Altarpiece)
    Crucifixion (Pisa Altarpiece) is a panel painting by the early Renaissance master Masaccio, depicting the crucified Christ with a powerful sense of realism and emotional intensity.
  • F. None of above.
  • G. Unsure - the case is ambiguous/there is not enough information to decide.

Provenance (3 batches)

The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.

Step Stage Batch ID Status When
creating Elicitation batch_69d8279402a88190821ffa39ae15bccf completed April 9, 2026, 10:26 p.m.
NER Named-entity recognition batch_69de915d28ec81909e72124e9dd67bfb completed April 14, 2026, 7:11 p.m.
NED1 Entity disambiguation (via context triple) batch_69fd5bdd0f388190870ddd01f66d3e99 completed May 8, 2026, 3:43 a.m.
Created at: April 10, 2026, 1:19 a.m.