Triple

T13511894
Position Surface form Disambiguated ID Type / Status
Subject Dear Brutus E322659 entity
Predicate hasPart P35 FINISHED
Object Act I
Act I is the opening section of J. M. Barrie’s play "Dear Brutus," in which the characters and central fantastical premise are first introduced.
E1044472 NE FINISHED

How this triple was built (4 steps)

Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.

NER Named-entity recognition gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Act I | Statement: [Dear Brutus, hasPart, Act I]
NED1 Entity disambiguation (via context triple) gpt-5-mini-2025-08-07
Target entity: Act I
Context triple: [Dear Brutus, hasPart, Act I]
  • A. Act I
    Act I is the opening section of Edward Albee’s Pulitzer Prize-winning play "A Delicate Balance," in which the central family tensions and themes of existential anxiety are first established.
  • B. Act I
    Act I is the opening act of Bruce Norris's Pulitzer Prize–winning play "Clybourne Park," which sets up the central conflicts about race, property, and gentrification in a 1950s Chicago neighborhood.
  • C. Act I
    Act I is the opening section of the 19th-century stage comedy "Our American Cousin," in which the main characters and central comedic conflicts are first introduced.
  • D. Act I
    Act I is the opening section of the ballet "Bacchus et Ariane," introducing its characters, themes, and initial dramatic developments.
  • E. Act I
    Act I is the opening section of Noël Coward’s stage play "Design for Living," introducing the central characters and their unconventional romantic entanglements.
  • F. None of above. chosen
  • G. Unsure - the case is ambiguous/there is not enough information to decide.
NEDg Description generation gpt-5.1
Instruction
Generate a one-sentence description of the target entity. 
You are given a context triple in the form (subject, predicate, object), where the object is the target entity. 
# Instructions
Use the triple to infer relevant information about the entity. Describe the entity based on what is most defining, well-known. 
Avoid repeating the information from the triple, unless really essential.
# Response Format
Return only the sentence: "Description: [one-sentence description of the target entity]"
Input
Entity: Act I
Triple: [Dear Brutus, hasPart, Act I]
Generated description
Act I is the opening section of J. M. Barrie’s play "Dear Brutus," in which the characters and central fantastical premise are first introduced.
NED2 Entity disambiguation (via description) gpt-5-mini-2025-08-07
Target entity: Act I
Target entity description: Act I is the opening section of J. M. Barrie’s play "Dear Brutus," in which the characters and central fantastical premise are first introduced.
  • A. Act I
    Act I is the opening section of the ballet "Bacchus et Ariane," introducing its characters, themes, and initial dramatic developments.
  • B. Act I
    Act I is the opening section of a stage musical or play, where the main characters, conflicts, and setting are first introduced and developed.
  • C. Act I
    Act I is the opening act of Eugene O’Neill’s play "Anna Christie," introducing the main characters and setting the stage for the drama’s central conflicts.
  • D. Act I
    Act I is the opening section of Sam Shepard’s play "A Lie of the Mind," establishing its characters, relationships, and central conflicts.
  • E. Act I
    Act I is the opening section of Johann Wolfgang von Goethe’s drama "Götz von Berlichingen," introducing the main characters, conflicts, and historical setting of the play.
  • F. None of above. chosen

Provenance (5 batches)

The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.

Step Stage Batch ID Status When
creating Elicitation batch_69d80766a21881909f21a1b7421d3b8a completed April 9, 2026, 8:09 p.m.
NER Named-entity recognition batch_69dbaf86a6208190be8c18f7a0158f23 completed April 12, 2026, 2:43 p.m.
NED1 Entity disambiguation (via context triple) batch_69f75492676c81909602745e2b6436cb completed May 3, 2026, 1:58 p.m.
NEDg Description generation batch_69f7555173d08190be887e81c148192e completed May 3, 2026, 2:01 p.m.
NED2 Entity disambiguation (via description) batch_69f75675df788190b4aa562fe0bc1d75 completed May 3, 2026, 2:06 p.m.
Created at: April 9, 2026, 9:43 p.m.