Triple

Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).

Phrase: Symbolist theatre | Statement: [French theatre, hasMovement, Symbolist theatre]

Target entity: Symbolist theatre
Context triple: [French theatre, hasMovement, Symbolist theatre]

• A. Theatre of the Absurd
  Theatre of the Absurd is a post–World War II dramatic movement characterized by illogical situations, fragmented dialogue, and existential themes that highlight the absurdity and meaninglessness of human existence.
• B. French Romantic theatre
  French Romantic theatre was a 19th-century dramatic movement in France that broke with classical rules by embracing emotional intensity, historical and exotic settings, and freer forms of expression, exemplified by works like Victor Hugo’s plays.
• C. Lyrische Dramen
  Lyrische Dramen is a collection of early lyrical and symbolist plays by Austrian writer Hugo von Hofmannsthal that helped establish his reputation in modern German-language literature.
• D. Belle Époque theatre
  Belle Époque theatre was a flourishing late 19th- and early 20th-century European theatrical style characterized by lavish productions, star performers, and a blend of realism, symbolism, and spectacle reflecting the era’s optimism and artistic innovation.
• E. epic theatre
  Epic theatre is a 20th-century theatrical movement, closely associated with Bertolt Brecht, that uses techniques like direct address, visible stage mechanics, and narrative interruption to provoke critical reflection rather than emotional immersion.
• F. None of above. chosen
• G. Unsure - the case is ambiguous/there is not enough information to decide.

Generate a one-sentence description of the target entity. 
You are given a context triple in the form (subject, predicate, object), where the object is the target entity. 
# Instructions
Use the triple to infer relevant information about the entity. Describe the entity based on what is most defining, well-known. 
Avoid repeating the information from the triple, unless really essential.
# Response Format
Return only the sentence: "Description: [one-sentence description of the target entity]"

Entity: Symbolist theatre
Triple: [French theatre, hasMovement, Symbolist theatre]

Symbolist theatre is a late 19th-century dramatic movement that emphasized mood, suggestion, and metaphor over realistic representation, often using dreamlike staging and poetic language to explore inner realities and spiritual themes.

Target entity: Symbolist theatre
Target entity description: Symbolist theatre is a late 19th-century dramatic movement that emphasized mood, suggestion, and metaphor over realistic representation, often using dreamlike staging and poetic language to explore inner realities and spiritual themes.

• A. Theatre of the Absurd
  Theatre of the Absurd is a post–World War II dramatic movement characterized by illogical situations, fragmented dialogue, and existential themes that highlight the absurdity and meaninglessness of human existence.
• B. French Romantic theatre
  French Romantic theatre was a 19th-century dramatic movement in France that broke with classical rules by embracing emotional intensity, historical and exotic settings, and freer forms of expression, exemplified by works like Victor Hugo’s plays.
• C. Lyrische Dramen
  Lyrische Dramen is a collection of early lyrical and symbolist plays by Austrian writer Hugo von Hofmannsthal that helped establish his reputation in modern German-language literature.
• D. Belle Époque theatre
  Belle Époque theatre was a flourishing late 19th- and early 20th-century European theatrical style characterized by lavish productions, star performers, and a blend of realism, symbolism, and spectacle reflecting the era’s optimism and artistic innovation.
• E. epic theatre
  Epic theatre is a 20th-century theatrical movement, closely associated with Bertolt Brecht, that uses techniques like direct address, visible stage mechanics, and narrative interruption to provoke critical reflection rather than emotional immersion.
• F. None of above. chosen