Triple

T13059051
Position Surface form Disambiguated ID Type / Status
Subject Nothing Was the Same E329153 entity
Predicate hasPart P35 FINISHED
Object Too Much
"Too Much" is a reflective, emotionally charged song by Canadian rapper Drake that appears on his 2013 album *Nothing Was the Same*.
E1018500 NE FINISHED

How this triple was built (4 steps)

Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.

NER Named-entity recognition gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Too Much | Statement: [Nothing Was the Same, hasPart, Too Much]
NED1 Entity disambiguation (via context triple) gpt-5-mini-2025-08-07
Target entity: Too Much
Context triple: [Nothing Was the Same, hasPart, Too Much]
  • A. Too Much
    "Too Much" is a 1957 rock and roll song by Elvis Presley that became one of his early chart-topping hits.
  • B. Too Much
    "Too Much" is a 1997 pop ballad by the Spice Girls that became one of their hit singles, showcasing their signature harmonies and topping charts in several countries.
  • C. Never Too Much
    "Never Too Much" is a 1981 R&B and soul classic by Luther Vandross that became his signature hit and a defining song of contemporary R&B.
  • D. Touch Too Much
    "Touch Too Much" is a hard rock song by Australian band AC/DC, featured on their 1979 album Highway to Hell and known for its catchy riffs and suggestive lyrics.
  • E. Too Much Too Soon
    Too Much Too Soon is the New York Dolls’ second studio album, a seminal glam-punk record known for its raw sound and influential role in the development of punk rock.
  • F. None of above. chosen
  • G. Unsure - the case is ambiguous/there is not enough information to decide.
NEDg Description generation gpt-5.1
Instruction
Generate a one-sentence description of the target entity. 
You are given a context triple in the form (subject, predicate, object), where the object is the target entity. 
# Instructions
Use the triple to infer relevant information about the entity. Describe the entity based on what is most defining, well-known. 
Avoid repeating the information from the triple, unless really essential.
# Response Format
Return only the sentence: "Description: [one-sentence description of the target entity]"
Input
Entity: Too Much
Triple: [Nothing Was the Same, hasPart, Too Much]
Generated description
"Too Much" is a reflective, emotionally charged song by Canadian rapper Drake that appears on his 2013 album *Nothing Was the Same*.
NED2 Entity disambiguation (via description) gpt-5-mini-2025-08-07
Target entity: Too Much
Target entity description: "Too Much" is a reflective, emotionally charged song by Canadian rapper Drake that appears on his 2013 album *Nothing Was the Same*.
  • A. Too Much
    "Too Much" is a 1957 rock and roll song by Elvis Presley that became one of his early chart-topping hits.
  • B. Too Much
    "Too Much" is a 1997 pop ballad by the Spice Girls that became one of their hit singles, showcasing their signature harmonies and topping charts in several countries.
  • C. Never Too Much
    "Never Too Much" is a 1981 R&B and soul classic by Luther Vandross that became his signature hit and a defining song of contemporary R&B.
  • D. Touch Too Much
    "Touch Too Much" is a hard rock song by Australian band AC/DC, featured on their 1979 album Highway to Hell and known for its catchy riffs and suggestive lyrics.
  • E. Too Much Too Soon
    Too Much Too Soon is the New York Dolls’ second studio album, a seminal glam-punk record known for its raw sound and influential role in the development of punk rock.
  • F. None of above. chosen

Provenance (5 batches)

The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.

Step Stage Batch ID Status When
creating Elicitation batch_69d80771749c81909a6d9197b9504872 completed April 9, 2026, 8:09 p.m.
NER Named-entity recognition batch_69d980be37208190962e91f1e19df159 completed April 10, 2026, 10:59 p.m.
NED1 Entity disambiguation (via context triple) batch_69f6cbe0bf3081909ff498ac66cb2aa6 completed May 3, 2026, 4:15 a.m.
NEDg Description generation batch_69f6cd0e88e08190a07468336bb624f0 completed May 3, 2026, 4:20 a.m.
NED2 Entity disambiguation (via description) batch_69f6ce23ca208190960409130c4c52a9 completed May 3, 2026, 4:25 a.m.
Created at: April 9, 2026, 8:58 p.m.