Triple
T13059051
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Nothing Was the Same |
E329153
|
entity |
| Predicate | hasPart |
P35
|
FINISHED |
| Object |
Too Much
"Too Much" is a reflective, emotionally charged song by Canadian rapper Drake that appears on his 2013 album *Nothing Was the Same*.
|
E1018500
|
NE FINISHED |
How this triple was built (4 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Too Much | Statement: [Nothing Was the Same, hasPart, Too Much]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Too Much Context triple: [Nothing Was the Same, hasPart, Too Much]
-
A.
Too Much
"Too Much" is a 1957 rock and roll song by Elvis Presley that became one of his early chart-topping hits.
-
B.
Too Much
"Too Much" is a 1997 pop ballad by the Spice Girls that became one of their hit singles, showcasing their signature harmonies and topping charts in several countries.
-
C.
Never Too Much
"Never Too Much" is a 1981 R&B and soul classic by Luther Vandross that became his signature hit and a defining song of contemporary R&B.
-
D.
Touch Too Much
"Touch Too Much" is a hard rock song by Australian band AC/DC, featured on their 1979 album Highway to Hell and known for its catchy riffs and suggestive lyrics.
-
E.
Too Much Too Soon
Too Much Too Soon is the New York Dolls’ second studio album, a seminal glam-punk record known for its raw sound and influential role in the development of punk rock.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NEDg
Description generation
gpt-5.1
Instruction
Generate a one-sentence description of the target entity. You are given a context triple in the form (subject, predicate, object), where the object is the target entity. # Instructions Use the triple to infer relevant information about the entity. Describe the entity based on what is most defining, well-known. Avoid repeating the information from the triple, unless really essential. # Response Format Return only the sentence: "Description: [one-sentence description of the target entity]"
Input
Entity: Too Much Triple: [Nothing Was the Same, hasPart, Too Much]
Generated description
"Too Much" is a reflective, emotionally charged song by Canadian rapper Drake that appears on his 2013 album *Nothing Was the Same*.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Too Much Target entity description: "Too Much" is a reflective, emotionally charged song by Canadian rapper Drake that appears on his 2013 album *Nothing Was the Same*.
-
A.
Too Much
"Too Much" is a 1957 rock and roll song by Elvis Presley that became one of his early chart-topping hits.
-
B.
Too Much
"Too Much" is a 1997 pop ballad by the Spice Girls that became one of their hit singles, showcasing their signature harmonies and topping charts in several countries.
-
C.
Never Too Much
"Never Too Much" is a 1981 R&B and soul classic by Luther Vandross that became his signature hit and a defining song of contemporary R&B.
-
D.
Touch Too Much
"Touch Too Much" is a hard rock song by Australian band AC/DC, featured on their 1979 album Highway to Hell and known for its catchy riffs and suggestive lyrics.
-
E.
Too Much Too Soon
Too Much Too Soon is the New York Dolls’ second studio album, a seminal glam-punk record known for its raw sound and influential role in the development of punk rock.
- F. None of above. chosen
Provenance (5 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69d80771749c81909a6d9197b9504872 |
completed | April 9, 2026, 8:09 p.m. |
| NER | Named-entity recognition | batch_69d980be37208190962e91f1e19df159 |
completed | April 10, 2026, 10:59 p.m. |
| NED1 | Entity disambiguation (via context triple) | batch_69f6cbe0bf3081909ff498ac66cb2aa6 |
completed | May 3, 2026, 4:15 a.m. |
| NEDg | Description generation | batch_69f6cd0e88e08190a07468336bb624f0 |
completed | May 3, 2026, 4:20 a.m. |
| NED2 | Entity disambiguation (via description) | batch_69f6ce23ca208190960409130c4c52a9 |
completed | May 3, 2026, 4:25 a.m. |
Created at: April 9, 2026, 8:58 p.m.