Triple
T12818034
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | George B. McClellan Jr. |
E306452
|
entity |
| Predicate | notableWork |
P4
|
FINISHED |
| Object | The Heel of War |
E306452
|
NE FINISHED |
How this triple was built (2 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: The Heel of War | Statement: [George B. McClellan Jr., notableWork, The Heel of War]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: The Heel of War Context triple: [George B. McClellan Jr., notableWork, The Heel of War]
-
A.
The Heel of War
chosen
"The Heel of War" is a historical or military-themed work by George B. McClellan Jr., reflecting his interest in and analysis of warfare and its consequences.
-
B.
The Spirit of War
The Spirit of War is a 19th-century painting by American landscape artist Jasper Francis Cropsey that allegorically depicts the destructive forces and atmosphere of war.
-
C.
Wütende Heer
Wütende Heer is a German name for the Wild Hunt, a spectral procession of ghostly riders and hounds said to sweep across the sky in European folklore.
-
D.
The Harvest of Battle
The Harvest of Battle is a powerful World War I painting by British artist C.R.W. Nevinson that depicts the chaos and devastation of the battlefield.
-
E.
The Battle
"The Battle" is a significant abstract collage painting by Italian-American artist Conrad Marca-Relli, exemplifying his innovative use of cut and layered canvas forms.
- F. None of above.
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Provenance (3 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69d7bdf46c448190b1faa55aaacb6317 |
completed | April 9, 2026, 2:55 p.m. |
| NER | Named-entity recognition | batch_69d96e9d00088190ac0f5d60e1de7a7c |
completed | April 10, 2026, 9:41 p.m. |
| NED1 | Entity disambiguation (via context triple) | batch_69f68ecee33c8190a6bf045731bb9326 |
completed | May 2, 2026, 11:54 p.m. |
Created at: April 9, 2026, 5:31 p.m.