Triple
T12498505
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Contrapunctus XIV (unfinished) |
E298752
|
entity |
| Predicate | musicologicalTopic |
P43548
|
FINISHED |
| Object | Bach’s late style |
—
|
LITERAL FINISHED |
How this triple was built (2 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Bach’s late style | Statement: [Contrapunctus XIV (unfinished), musicologicalTopic, Bach’s late style]
PD
Predicate disambiguation
gpt-5-mini-2025-08-07
Target predicate: musicologicalTopic Context triple: [Contrapunctus XIV (unfinished), musicologicalTopic, Bach’s late style]
-
A.
inMusicology
chosen
Indicates that something is studied, analyzed, or treated within the academic field or disciplinary context of musicology.
-
B.
inMusicHistory
Indicates that something is recorded, referenced, or recognized within the context of music history.
-
C.
musicTradition
Indicates a relationship where one entity follows, embodies, or belongs to a particular musical tradition or style associated with another entity.
-
D.
musicTheoryContext
Indicates that one entity is interpreted or analyzed within the framework, rules, or concepts of music theory in relation to another entity or situation.
-
E.
musicalBasisFor
Indicates that one musical work, idea, or element serves as the foundational source or inspiration upon which another musical work, idea, or element is built or derived.
- F. None of above.
Provenance (3 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69d6ada4cd388190ae3bbf83ff87057a |
completed | April 8, 2026, 7:33 p.m. |
| NER | Named-entity recognition | batch_69d94e8a706c8190873623eab7db607d |
completed | April 10, 2026, 7:24 p.m. |
| PD | Predicate disambiguation | batch_69d94d41f3cc8190a3331fb9a895306f |
completed | April 10, 2026, 7:19 p.m. |
Created at: April 8, 2026, 9:57 p.m.