Triple
T12433306
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Richard Huelsenbeck |
E297083
|
entity |
| Predicate | movement |
P81
|
FINISHED |
| Object | Zurich Dada |
E61359
|
NE FINISHED |
How this triple was built (2 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Zurich Dada | Statement: [Richard Huelsenbeck, movement, Zurich Dada]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Zurich Dada Context triple: [Richard Huelsenbeck, movement, Zurich Dada]
-
A.
Cologne Dada
Cologne Dada was a local branch of the Dada avant-garde movement active in Cologne, Germany, known for its radical anti-art experiments and provocative exhibitions in the early 20th century.
-
B.
Sept manifestes Dada
Sept manifestes Dada is a foundational collection of Dadaist manifestos by Tristan Tzara that articulates the movement’s anti-art, anti-rationalist principles.
-
C.
Merzbau
Merzbau is an influential, evolving sculptural and architectural installation by Kurt Schwitters that exemplifies the experimental, collage-based aesthetics of the Dada movement.
-
D.
Dada
chosen
Dada was an early 20th-century avant-garde art and literary movement that rejected traditional aesthetics and logic through absurdity, chance, and anti-bourgeois protest.
-
E.
Week of Modern Art
The Week of Modern Art was a landmark 1922 cultural festival in São Paulo that revolutionized Brazilian literature, visual arts, and music by introducing and consolidating modernist ideas.
- F. None of above.
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Provenance (3 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69d6ada0640c81908c061d7fb3d47786 |
completed | April 8, 2026, 7:33 p.m. |
| NER | Named-entity recognition | batch_69d94d804c2c819082f2f86edcbb50de |
completed | April 10, 2026, 7:20 p.m. |
| NED1 | Entity disambiguation (via context triple) | batch_69f6349d29c481909a37fd386cc06575 |
completed | May 2, 2026, 5:30 p.m. |
Created at: April 8, 2026, 9:55 p.m.